{"title":"Architecture - Criticism","description":"","products":[{"product_id":"the-age-of-spectacle-tom-dyckhoff-9780099538233","title":"The Age of Spectacle: Adventures in Architecture and the 21st-Century City","description":"\u003cp\u003eIn Dubai, a luxury apartment block is built in the shape of a giant iPod. In China, President Xi Jinping denounces the trend of constructing \"bizarre\" new buildings in wacky shapes and colors. In Cincinnati, celebrity architect Zaha Hadid is paid millions to design a single \"iconic' structure\"--with the hope of single-handedly transforming the region's ailing fortunes. These incidents are all part of the same story: the rise of the age of spectacle. Over the last 50 years, there has been a revolution in how our cities operate. Here, Tom Dyckhoff tells the story of how architecture became obsessed with the flashy, the monumental and the ostentatious--and how we all have to live with the consequences. Exploring cityscapes from New York to Beijing, Dyckhoff shows that we are living through a fundamental transformation in how our urban spaces work. The corporate explosion of the last few decades has fundamentally shifted the relationship between architects, politicians and cities' inhabitants, fostering innovation, but also facilitating vanity projects and commercial power-grabs. Timely, passionate and bursting with new ideas, \u003ci\u003eThe Age of Spectacle\u003c\/i\u003e is both an examination of how 21st century cities work, and a manifesto for a radically new kind of urbanism. \u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Tom Dyckhoff\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 0099538237\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780099538233\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Windmill Books\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 09\/01\/2018\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 320\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 0.83lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 7.70h x 5.00w x 1.20d","brand":"Tom Dyckhoff","offers":[{"title":"Paperback","offer_id":43913325838591,"sku":"9780099538233","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/products\/img_9410582a-8324-444b-bd93-1a2696c316de.jpg?v=1680617992"},{"product_id":"the-anatomy-of-architecture-suzanne-preston-blier-9780226058610","title":"The Anatomy of Architecture: Ontology and Metaphor in Batammaliba Architectural Expression","description":"Blier illuminates the extraordinary architecture of the Batammaliba people of Western Africa, revealing these buildings as texts through which we can read the beliefs, psychology, traditions, and social concerns of their inhabitants. In doing so, she explores the role of vernacular architecture as an expression of culture. \u003cp\u003e\u003c\/p\u003e\"A splendid analysis of the centrality of architecture in the daily lives of the Batammaliba and its integral role in articulating social values....The story is beautifully told in the best of anthropological traditions.\"--Judith R. Blau, \u003ci\u003eContemporary Society\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003e\"A remarkable study....Blier's volume carries the study of African architecture to a qualitatively new level of scholarship. It introduces a new dimension whereby the architectural medium can be used to illuminate much of the entire belief system of any culture.\"--Labelle Prussin, \u003ci\u003eAfrican Arts\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003e\"In this excellent book Blier provides a richly detailed and searching account of what architecture means to the Batammaliba of northern Togo and Benin....The finest account I have yet read of the relations between systems of beliefs, ritual practices, and African aesthetics and plastic arts....The ethnography and basic insight should be the envy of any social anthropologist.\"--T.O. Beidelman, \u003ci\u003eMan\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Suzanne Preston Blier\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 0226058611\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780226058610\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e University of Chicago Press\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 01\/01\/1995\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 332\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 1.22lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 9.02h x 6.07w x 0.77d","brand":"Suzanne Preston Blier","offers":[{"title":"Paperback","offer_id":43913417982207,"sku":"9780226058610","price":37.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/products\/img_c3d4d7a2-04d2-4fba-9a17-9950bdf450f0.jpg?v=1680620296"},{"product_id":"diller-scofidio-renfro-edward-dimendberg-9780226151816","title":"Diller Scofidio + Renfro: Architecture After Image","description":"In \u003ci\u003eDiller Scofidio + Renfro: Architecture after Images\u003c\/i\u003e, Edward Dimendberg offers the first comprehensive treatment of one of the most imaginative contemporary design studios. Since founding their practice in 1979, Elizabeth Diller and Ricardo Scofidio have integrated architecture, urban design, media art, and the performing arts in a dazzling array of projects, which include performances, art installations, and books, in addition to buildings and public spaces. At the center of this work is a fascination with vision and a commitment to questioning the certainty and security long associated with architecture. \u003cp\u003e\u003c\/p\u003eDimendberg provides an extensive overview of these concerns and the history of the studio, revealing how principals Elizabeth Diller, Ricardo Scofidio, and Charles Renfro continue to expand the definition of architecture, question the nature of space and vision in contemporary culture, and produce work that is endlessly surprising and rewarding, from New York's High Line to \u003ci\u003eBlur\u003c\/i\u003e, an artificial cloud, and \u003ci\u003eFacsimile\u003c\/i\u003e, a video screen that moves around a building facade. Dimendberg also explores the relation of work by DS+R to that by earlier modernists such as Marcel Duchamp and John Hejduk. He reveals how the fascination of the architects with evolving forms of media, technology, and building materials has produced works that unsettle distinctions among architecture and other media. Based on interviews with the architects, their clients, and collaborators as well as unprecedented access to unpublished documents, sketchbook entries, and archival records, \u003ci\u003eDiller Scofidio + Renfro\u003c\/i\u003e is the most thorough consideration of DS+R in any language. Illustrated with many previously unpublished renderings in addition to photos from significant contemporary photographers, this book is an essential study of one of the most significant and creative architecture and design studios working today.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Edward Dimendberg\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 0226151816\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780226151816\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e University of Chicago Press\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 03\/20\/2013\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 248\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Hardcover\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 2.95lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 10.70h x 9.10w x 1.00d","brand":"Edward Dimendberg","offers":[{"title":"Hardcover","offer_id":43913422962943,"sku":"9780226151816","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/products\/img_b673c4c3-88a0-4e34-b250-250b7ad69541.jpg?v=1680620327"},{"product_id":"grammars-of-approach-cynthia-wall-9780226467832","title":"Grammars of Approach: Landscape, Narrative, and the Linguistic Picturesque","description":"In \u003ci\u003eGrammars of Approach\u003c\/i\u003e, Cynthia Wall offers a close look at changes in perspective in spatial design, language, and narrative across the late eighteenth and early nineteenth centuries that involve, literally and psychologically, the concept of \"approach.\" In architecture, the term \"approach\" changed in that period from a verb to a noun, coming to denote the drive from the lodge at the entrance of an estate \"through the most interesting part of the grounds,\" as landscape designer Humphrey Repton put it. The shift from the long straight avenue to the winding approach, Wall shows, swung the perceptual balance away from the great house onto the personal experience of the visitor. At the same time, the grammatical and typographical landscape was shifting in tandem, away from objects and Things (and capitalized common Nouns) to the spaces in between, like punctuation and the \"lesser parts of speech\". The implications for narrative included new patterns of syntactical architecture and the phenomenon of free indirect discourse. Wall examines the work of landscape theorists such as Repton, John Claudius Loudon, and Thomas Whately alongside travel narratives, topographical views, printers' manuals, dictionaries, encyclopedias, grammars, and the novels of Defoe, Richardson, Burney, Radcliffe, and Austen to reveal a new landscaping across disciplines--new grammars of approach in ways of perceiving and representing the world in both word and image.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Cynthia Wall\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 022646783X\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780226467832\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e University of Chicago Press\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 02\/21\/2019\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 352\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 1.10lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 8.90h x 6.00w x 0.90d\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReview Citation(s): \u003c\/b\u003e\u003cbr\u003e\u003ci\u003eChoice\u003c\/i\u003e 08\/01\/2019","brand":"Cynthia Wall","offers":[{"title":"Paperback","offer_id":43913433481471,"sku":"9780226467832","price":38.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/products\/img_b3474c4b-74ce-485d-bad6-791c8e26c74e.jpg?v=1680620389"},{"product_id":"learning-from-las-vegas-facsimile-robert-venturi-9780262036962","title":"Learning from Las Vegas, Facsimile Edition","description":"\u003cb\u003eA fascimile edition of the long-out-of-print large-format edition designed by design icon Muriel Cooper.\u003c\/b\u003e\u003cp\u003eUpon its publication by the MIT Press in 1972, \u003ci\u003eLearning from Las Vegas\u003c\/i\u003e was immediately influential and controversial. The authors made an argument that was revolutionary for its time--that the billboards and casinos of Las Vegas were worthy of architectural attention--and offered a challenge for contemporary architects obsessed with the heroic and monumental. The physical book itself, designed by MIT's iconic designer Muriel Cooper, was hailed as a masterpiece of modernist design, but the book's design struck the authors as too monumental for a text that praised the ugly and ordinary over the heroic and monumental. The MIT Press published a revised version in 1977--a modest paperback that the authors felt was more in keeping with the argument of the book--and the original Cooper-designed book fell out of print and became a highly sought-after collectors' item; it now sells for thousands of dollars in the rare book market, while the author-redesigned paperback has remained continuously in print at a price affordable to students. Now, decades after the original hardcover edition sold out, the MIT Press is publishing a facsimile edition of the original large-format Cooper-designed edition of \u003ci\u003eLearning from Las Vegas, \u003c\/i\u003e complete with translucent glassine wrap. This edition also features a spirited preface by Denise Scott Brown, looking back on the creation of the book and explaining her and Robert Venturi's reservations about the original design.\u003c\/p\u003e\u003cp\u003e\u003ci\u003eLearning from Las Vegas\u003c\/i\u003e begins with the Las Vegas Strip and proceeds to \"Ugly and Ordinary Architecture, or the Decorated Shed,\" on symbolism in architecture and the iconography of urban sprawl. 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In August 2005, television news showed viewers an estimated 20,000 Katrina evacuees camped out in the Superdome, Cindy Sheehan protesting the Iraq War on President Bush's doorstep in \"Camp Casey,\" Texas, and Israeli and Palestinian young people at the Seeds of Peace Camp in Maine discussing the evacuation of settlement camps in the Gaza Strip. Meanwhile, off camera, summer campers all over America packed up their gear, preparing to depart Scout camps, computer camps, and sports camps, and millions of recreational vehicles owners were on the road, permanent itinerant campers. In \u003ci\u003eCamps\u003c\/i\u003e, Charlie Hailey examines the space and idea of camp as a defining dimension of 21st-century life.\u003c\/p\u003e\u003cp\u003eThe ubiquity and diversity of camps calls for a guidebook. This is what Hailey offers, but it is no ordinary one. Not only does he establish a typology of camps, but he also embeds within his narrative a key to camp ideology. Thus we see how camp spaces are informed by politics and transform the ways we think about and make built environments. Hailey describes camps of diverse regions, purposes, and forms, and navigates the inherent paradoxes of zones that are neither temporary nor permanent: camps of choice, including summer camps, protest camps, drift camps (research stations on Arctic ice floes), and LTVA (Long-Term Visitor Area) Camps; strategic camps regulated by power--boot camps, GTMO (the detention camp at Guant疣amo Bay), immigrant camps, and others;--and transient spaces of relief and assistance, among them refugee camps, FEMA City, work camps, and Gypsy camps. More than 150 diagrams, sketches, building and site plans, photographs, political cartoons, video game screenshots, aerial and satellite images, and maps illustrate camp space in unprecedented complexity and variety.\u003c\/p\u003e\u003cp\u003eToday camps are at the center of emerging questions of identity, residency, safety, and mobility. Camp spaces register the struggles, emergencies, and possibilities of global existence as no other space does.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Charlie Hailey\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 0262512874\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780262512879\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e MIT Press\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 04\/01\/2009\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 560\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 1.75lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 8.00h x 5.40w x 1.40d","brand":"Charlie Hailey","offers":[{"title":"Paperback","offer_id":43913516941567,"sku":"9780262512879","price":59.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/products\/img_752d8c2e-8089-4770-a11a-b7925f8031b3.jpg?v=1680620802"},{"product_id":"nature-and-the-idea-of-norman-crowe-9780262531467","title":"Nature and the Idea of a Man-Made World: An Investigation into the Evolutionary Roots of Form and Order in the Built Environment","description":"Over the course of this century, nature has increasingly been relegated to the province of environmentalists while cities and towns have been turned over to developers and planners. Norman Crowe seeks to overcome this division into the respective realms of specialists by recognizing the independence of both the natural and the manmade through an understanding of the often hidden roots of the world we contrive for ourselves. Crowe argues that we have lost a vital balance by neglecting our traditional motives for building in the first place. He argues for a symbiotic theory of man's making and nature's activity that views the built environment as a form of nature, one that nourishes the generative power as well as other enduring qualities of nature. In this sweeping view of architecture and urbanism across cultural boundaries, Crowe evaluates the connections between the natural and manmade in our towns and cities, farms and gardens, architecture and works of civil engineering. He draws on the lessons to be learned from the buildings and cities of the past in restoring critical traditional values that have been lost to modernism which tends to see the built world almost exclusively through the abstractions of postenlightenment science. Crowe's starting point is indigenous architecture, the origins of our cities and towns where the first geometries were imposed on nature. He traces our separation from nature over time, from the long period of human history when nature served as a paradigm for creation. The first chapter considers the psychological and practical origins for the practice of what amounts to building an \"alternative\" nature. Crowe then explores the likely historical roots of this world and investigates our intrinsic quest for unity, the ancient idea that we are responsible for maintaining a harmony between ourselves, what we make, and nature. He traces the effect of our responses to the passing of time and the inevitability of change in the built world and then considers its opposite, the quest for timelessness in response to the inevitability of time passing. 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In this long-awaited book, completed shortly before its author's death, Evans recasts the idea of the relationship between geometry and architecture, drawing on mathematics, engineering, art history, and aesthetics to uncover processes in the imagining and realizing of architectural form. He shows that geometry does not always play a stolid and dormant role but, in fact, may be an active agent in the links between thinking and imagination, imagination and drawing, drawing and building. He suggests a theory of architecture that is based on the many transactions between architecture and geometry as evidenced in individual buildings, largely in Europe, from the fifteenth to the twentieth century.\u003c\/p\u003e\u003cp\u003eFrom the Henry VII chapel at Westminster Abbey to Le Corbusier's Ronchamp, from Raphael's S. 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Each of the book's chapters forms a chamber, and each chamber is inscribed with the authors' personal observations.\u003c\/b\u003e\u003cp\u003eThis collaboration between two distinguished architects and former colleagues is a joyous celebration of admired places and a thoughtful consideration of the role that design has played in giving these places their memorable qualities. It is also an invitation to readers to inhabit the chambers of the book with their own imaginations to join in the making of the Memory Palace proposed. The authors' informal, witty, and anecdotal style extends to the illustrations--the freehand travel sketches, line drawings, and watercolors of places they have remembered and enjoyed.\u003ci\u003e Chambers for a Memory Palace\u003c\/i\u003e consists of an exchange of letters in which one author recalls and the other responds to the elements considered essential to the art of successful place-making. 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Hubert Damisch--whose work on the history of perspective, the notion of imitation, and the question of representation has emerged as the most important body of critical thought on painting since, perhaps, Meyer Shapiro's collected essays--here engages a subject that has been of continuing interest to him over the last thirty years.\u003c\/p\u003e \u003cp\u003eIn the field of architecture, this book has been awaited for a long time; in the fields of art history and cultural studies, it will be welcomed as a powerful argument for utilizing in an urban context interpretive approaches developed for the analysis of spatial and visual phenomena. Though architecture has served since Descartes as a structural analogy for philosophical discourse and has played a similar role in literature, contemporary studies on architecture have tended to be very specialized, with little regard for their accessibility to scholars in the humanities and social sciences. 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These religious utopians were noted for urban planning. In this large-format, richly illustrated volume, historian William Murtagh compares more than 20 Bethlehem landmarks with other Moravian communities for a fascinating glimpse into a part of America's past.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e William J. Murtagh\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 0812216377\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780812216370\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e University of Pennsylvania Press\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 01\/29\/1997\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 168\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 1.01lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 11.01h x 8.56w x 0.54d","brand":"William J. 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