{"title":"Art - American - General","description":"","products":[{"product_id":"live-form-jenni-sorkin-9780226303116","title":"Live Form: Women, Ceramics, and Community","description":"Ceramics had a far-reaching impact in the second half of the twentieth century, as its artists worked through the same ideas regarding abstraction and form as those for other creative mediums. \u003ci\u003eLive Form\u003c\/i\u003e shines new light on the relation of ceramics to the artistic avant-garde by looking at the central role of women in the field: potters who popularized ceramics as they worked with or taught male counterparts like John Cage, Peter Voulkos, and Ken Price. \u003cp\u003e\u003c\/p\u003e Sorkin focuses on three Americans who promoted ceramics as an advanced artistic medium: Marguerite Wildenhain, a Bauhaus-trained potter and writer; Mary Caroline (M. C.) Richards, who renounced formalism at Black Mountain College to pursue new performative methods; and Susan Peterson, best known for her live throwing demonstrations on public television. Together, these women pioneered a hands-on teaching style and led educational and therapeutic activities for war veterans, students, the elderly, and many others. 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Though many saw only blight, the derelict neighborhood was alive with queer people forging new intimacies through cruising. Alongside the piers' sexual and social worlds, artists produced work attesting to the radical transformations taking place in New York. Artist and writer David Wojnarowicz was right in the heart of it, documenting his experiences in journal entries, poems, photographs, films, and large-scale, site-specific projects. In \u003ci\u003eCruising the Dead River\u003c\/i\u003e, Fiona Anderson draws on Wojnarowicz's work to explore the key role the abandoned landscape played in this explosion of queer culture. Anderson examines how the riverfront's ruined buildings assumed a powerful erotic role and gave the area a distinct identity. By telling the story of the piers as gentrification swept New York and before the AIDS crisis, Anderson unearths the buried histories of violence, regeneration, and LGBTQ activism that developed in and around the cruising scene.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Fiona Anderson\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 022660375X\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780226603759\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e University of Chicago Press\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 10\/14\/2019\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 240\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 0.85lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 8.90h x 5.90w x 0.50d","brand":"Fiona Anderson","offers":[{"title":"Paperback","offer_id":43913440559359,"sku":"9780226603759","price":35.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/products\/img_c821ec39-4a05-4d10-b42c-084c7653d5c1.jpg?v=1680620417"},{"product_id":"yaddo-micki-mcgee-9780231147378","title":"Yaddo: Making American Culture","description":"\u003cp\u003eEstablished by a pair of philanthropists who believed adamantly in the power of creativity, Yaddo has hosted some of the twentieth century's most renowned writers, composers, and visual artists, including Hannah Arendt, James Baldwin, Saul Bellow, Leonard Bernstein, Elizabeth Bishop, Truman Capote, Flannery O'Connor, Aaron Copland, Langston Hughes, Carson McCullers, Sylvia Plath, Philip Roth, and Clyfford Still. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eRichly illustrated with photographs, prints, intimate letters, papers, and ephemera from archives and collections at both Yaddo and The New York Public Library--many of which have never before been seen by the public--\u003ci\u003eYaddo\u003c\/i\u003e offers a window into the workings of this famously private institution and insight into the lives and circumstances of the artists who lived and worked there. 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Developed from an exhibition of the same name at Exit Art, \u003ci\u003eAlternative Histories\u003c\/i\u003e documents more than 130 alternative spaces, groups, and projects, and the significant contributions these organizations have made to the aesthetic and social fabric of New York City. Alternative art spaces offer sites for experimentation for artists to innovate, perform, and exhibit outside the commercial gallery-and-museum circuit. In New York City, the development of alternative spaces was almost synonymous with the rise of the contemporary art scene. Beginning in the 1960s and early 1970s, it was within a network of alternative sites--including 112 Greene Street, The Kitchen, P.S.1, FOOD, and many others--that the work of young artists like Yvonne Rainer, Vito Acconci, Gordon Matta-Clark, Ana Mendieta, David Wojnarowicz, David Hammons, Adrian Piper, Martin Wong, Jimmie Durham, and dozens of other now familiar names first circulated.\u003c\/p\u003e\u003cp\u003eThrough interviews, photographs, essays, and archival material, \u003ci\u003eAlternative Histories\u003c\/i\u003e tells the story of such famous sites and organizations as Judson Memorial Church, Anthology Film Archives, A.I.R. Gallery, El Museo del Barrio, Franklin Furnace, and Eyebeam, as well as many less well-known sites and organizations. 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One such place where considerable modernist activity occurred was Texas, where artists absorbed and interpreted the latest, most radical formal lessons from Mexico, the East Coast, and Europe, while still responding to the state's dramatic history and geography. This barely known chapter in the story of American art is the focus of \u003ci\u003eMidcentury Modern Art in Texas\u003c\/i\u003e.\u003c\/p\u003e\u003cp\u003ePresenting new research and artwork that has never before been published, Katie Robinson Edwards examines the contributions of many modernist painters and sculptors in Texas, with an emphasis on the era's most abstract and compelling artists. Edwards looks first at the Dallas Nine and the 1936 Texas Centennial, which offered local artists a chance to take stock of who they were and where they stood within the national artistic setting. She then traces the modernist impulse through various manifestations, including the foundations of early Texas modernism in Houston; early practitioners of abstraction and non-objectivity; the Fort Worth Circle; artists at the University of Texas at Austin; Houston artists in the 1950s; sculpture in and around an influential Fort Worth studio; and, to see how some Texas artists fared on a national scale, the Museum of Modern Art's \"Americans\" exhibitions.\u003c\/p\u003e\u003cp\u003eThe first full-length treatment of abstract art in Texas during this vital and canon-defining period, \u003ci\u003eMidcentury Modern Art in Texas\u003c\/i\u003e gives these artists their due place in American art, while also valuing the quality of Texan-ness that subtly undergirds much of their production.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Katie Robinson Edwards\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 0292756593\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780292756595\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e University of Texas Press\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 07\/01\/2014\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 391\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Hardcover\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 3.46lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 10.04h x 8.40w x 1.23d\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReview Citation(s): \u003c\/b\u003e\u003cbr\u003e\u003ci\u003eChoice\u003c\/i\u003e 03\/01\/2015 pg. 1130","brand":"Katie Robinson Edwards","offers":[{"title":"Hardcover","offer_id":43913563046143,"sku":"9780292756595","price":60.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/products\/img_52e59a22-7ddc-486b-bad7-b900deb2cf86.jpg?v=1680621073"},{"product_id":"art-aids-america-jonathan-david-katz-9780295994949","title":"Art AIDS America","description":"\u003cp\u003e \u003ci\u003eArt AIDS America\u003c\/i\u003e is the first comprehensive overview and reconsideration of 30 years of art made in response to the AIDS epidemic in the United States. This book foregrounds the role of HIV\/AIDS in shifting the development of American art away from the cool conceptual foundations of postmodernism and toward a new, more insistently political and autobiographical voice.\u003ci\u003e Art AIDS America\u003c\/i\u003e surveys more than 100 works of American art from the early 1980s to the present, reintroducing and exploring the whole spectrum of artistic responses to HIV\/AIDS, from in-your-face activism to quiet elegy.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Jonathan David Katz, Rock Hushka\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 0295994940\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780295994949\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e University of Washington Press\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 12\/01\/2015\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 288\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Hardcover\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 3.00lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 10.50h x 8.40w x 0.90d","brand":"Jonathan David Katz","offers":[{"title":"Hardcover","offer_id":43913571959039,"sku":"9780295994949","price":45.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/products\/img_464a0125-f80d-4b8a-ace4-450e69ee690b.jpg?v=1680621122"},{"product_id":"edith-halpert-the-downtown-gallery-rebecca-shaykin-9780300231007","title":"Edith Halpert, the Downtown Gallery, and the Rise of American Art","description":"\u003cb\u003eA \u003ci\u003eNew York Times\u003c\/i\u003e critics' top art book of 2019, this volume tells the fascinating story of an art-world tastemaker who effectively defined American art in the 20th century\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e The question \"What is American art?\" might conjure the hyperrealism of Raphaelle Peale and William Harnett, the bold graphic style of Stuart Davis and Jacob Lawrence, or the Precisionist forms of Charles Sheeler. Little known, however, is that such notions of American art are significantly owed to a Russian Jewish immigrant named Edith Halpert. The founder of the Downtown Gallery in New York, Halpert shaped an identity for American art, declaring that its thrilling heterogeneity and democratic values were what most distinguished it from the European avant-garde. \u003cp\u003e\u003c\/p\u003e For forty-plus years, Halpert's gallery brought recognition and market success to now-legendary American artists--among them Arthur Dove, Marsden Hartley, and Georgia O'Keeffe, in addition to the artists mentioned above. She relentlessly championed nonwhite, female, and unknown artists and was a formative advisor in the shaping of many of the nation's most celebrated art museums and collections, from San Francisco to Boston. 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The team's landscape photographs are based on the practice of rephotography, in which they identify sites of historic photographs and make new photographs of those precise locations. Klett and Wolfe referenced a wealth of images of the canyon, ranging from historical photographs and drawings by William Bell and William Henry Holmes, to well-known artworks by Edward Weston and Ansel Adams, and from souvenir postcards to contemporary digital images drawn from Flickr. The pair then employed digital postproduction methods to bring the original images into dialogue with their own. The result is this stunning volume, illustrated with a wealth of full-color illustrations that attest to the role photographers--both anonymous and great--have played in picturing American places.\u003cbr\u003e\u003cbr\u003eRebecca Senf's compelling essay traces the photographers' process and methodology, conveying the complexity of their collaboration. Stephen J. 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On the surface, to listen to the present political cacophony, things have changed, but not in the way people actually think and behave in private life. Though terror and trauma are said to have gained the upper hand, desire continues to provide the propulsive force of the culture. But how do you paint desire? How do you capture its richness, power, and meaning? This monograph addresses those questions in the process of considering more than fifty major oil paintings made by the American realist Terry Rodgers between 1990 and 2005. Because most of these spectacular paintings are in the hands of private collectors, the best way to get to know them is www.terryrodgers.com, where all of the images reproduced here in black and white are available in color. Rodgers, with upcoming shows scheduled in Amsterdam and Atlanta, is in the midst of a prodigiously productive period and is on the verge of attracting the international critical notice he deserves, and will certainly soon command, owing to his irresistible subject matter, his remarkable technical accomplishment, and his brilliant overall vision of painting and culture.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Jim Zimmerman\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 0595328849\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780595328840\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e iUniverse\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 08\/09\/2004\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 144\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 0.57lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 9.25h x 7.50w x 0.31d","brand":"Jim Zimmerman","offers":[{"title":"Paperback","offer_id":43920286810367,"sku":"9780595328840","price":14.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/products\/img_b55b59aa-7262-47ed-8f75-a8cbeab2269f.jpg?v=1680814563"},{"product_id":"turner-to-monet-christine-dixon-9780642541635","title":"Turner to Monet: The Triumph of Landscape Painting","description":"\u003cp\u003eThis book presents a new look at landscape painting in the nineteenth century as it transformed from the depiction of known places to explorations of mood and time passing. Masterpieces in oil and watercolor illustrate the genre from its predominance in Britain to extraordinary manifestations in France, Germany and the rest of Europe. \u003ci\u003eTurner to Monet \u003c\/i\u003eshows the spread of landscape painting to new territories where European artists in Australia, Asia and the Americas extended the Western tradition.\u003cbr\u003e\u003cbr\u003eIn the new worlds of Australia and North America, the land itself became a heroic character in the pictorial narrative. Vast skies of crystalline air, dramatic sunsets, expansive plains and valleys all emphasise the size of the continents. Increasingly, humans are shown in modern surroundings, the all-enveloping city in which nature seems controlled. 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The book delves into the history, symbolism, and magical properties of various types of jewels, including rings, amulets, and talismans. Evans draws on a wide range of sources, including medieval manuscripts, historical records, and artwork, to provide a detailed and fascinating account of the role of magical jewels in medieval and Renaissance society. The book also includes numerous illustrations and photographs of these jewels, making it a visually stunning and informative read for anyone interested in the history of magic and jewelry. Overall, \"\"Magical Jewels of the Middle Ages and the Renaissance Particularly in England\"\" is a must-read for anyone interested in the intersection of magic, history, and material culture.1922. Contents: Magical Jewels and Gems in the Ancient World. The Earlier Christian Lapidaries. Lapidaries of Spain and the Nearer East. Western Mediaeval Lapidaries: Mediaeval Popular Lapidaries; Christian Symbolic Lapidaries; Mediaeval Scientific Lapidaries. Mediaeval Astrology: Lapidaries of Engraved Gems. Magical Jewels of the Middle Ages. The Renaissance: Lapidaries of the Sixteenth and Seventeenth Centuries. Magical Jewels of the Renaissance. The Age of Criticism: The Seventeenth and Eighteenth Centuries. Illustrated.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. 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It then delves into his artistic style and techniques, exploring his use of light, color, and perspective to create vivid and dynamic scenes of Venetian life.Throughout the book, Simonson provides detailed analyses of many of Guardi's most famous works, including his views of Venice, his depictions of festivals and celebrations, and his portraits of prominent Venetian figures. He also discusses the historical and cultural context in which Guardi worked, highlighting the political and social upheavals that shaped his artistic vision.The book is richly illustrated with full-color reproductions of Guardi's paintings, as well as photographs of the places and people that inspired his work. It is an essential resource for anyone interested in the history of Venetian art, as well as for fans of Guardi's unique and captivating style.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. 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The book is a comprehensive account of the Egyptian exhibit at the World�������s Columbian Exposition, which was held in Chicago in 1893. The exposition was a celebration of the 400th anniversary of Christopher Columbus������� arrival in the New World.The book provides a detailed description of the Cairo Street exhibit, which was one of the most popular attractions at the exposition. The exhibit was designed to recreate a street scene in Cairo, complete with shops, cafes, and other businesses. The exhibit featured over 200 Egyptian actors and artisans, who brought the scene to life with their performances and demonstrations.The book also includes information about the history and culture of Egypt, as well as the country�������s art, architecture, and religion. The authors provide a fascinating look at the ancient civilization of Egypt and its influence on the modern world.Overall, Street In Cairo: World�������s Columbian Exposition (1893) is a must-read for anyone interested in the history of Egypt or the World�������s Columbian Exposition. The book is well-written and informative, and it provides a unique perspective on one of the most important events in American history.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Egypt-Chicago Exposition Company\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 1164114115\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9781164114116\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Kessinger Publishing\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 09\/10\/2010\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 20\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 0.20lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 11.00h x 8.50w x 0.05d","brand":"Egypt-Chicago Exposition Company","offers":[{"title":"Paperback","offer_id":43924356235519,"sku":"9781164114116","price":19.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/products\/img_11319bbe-2d12-418b-9dc0-dff6b2009c1e.jpg?v=1681070935"},{"product_id":"done-in-the-open-frederic-remington-9781169677869","title":"Done in the Open","description":"Done in the Open is a book written by Frederic Remington, an American painter, illustrator, and sculptor. The book is a collection of his sketches and paintings of the American West, depicting the lives of cowboys, Native Americans, and the landscapes of the region. The title of the book refers to the fact that Remington created many of these works while out in the open, often sketching and painting on location. The book includes a foreword by Remington, in which he discusses his experiences in the West and his artistic process. The illustrations in the book are accompanied by captions that provide context and information about the subjects depicted. Done in the Open is a valuable resource for anyone interested in the history and culture of the American West, as well as those interested in the art of Frederic Remington.1898. Drawings by Remington, the renowned Western artist, with notes and verses by Owen Wister and others. Wister writes in the Introduction: No artist until Remington has undertaken to draw so clearly the history of the people...He has pictured the red man as no one else...He has told his tragedy completely...Remington has recorded the white man who encountered him-recorded this man also in every stage from dignity to sordid squalor. Pioneers, trappers, cowboys, miners, prospectors, gamblers, bandits-the whole motley rout goes ineffaceably into Remington�������s pages. And, finally, he has not forgotten nature herself. The mystery of the untouched plains and the awe of the unscaled mountain heights have been set down by him not only truthfully, but with potent feeling and imagination.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. 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The painting in question is a mural that was commissioned by the Works Progress Administration (WPA) during the Great Depression in the United States. Shahn, a renowned artist and social activist, was asked to create a mural for a post office in New Jersey, and this book chronicles the process of its creation, as well as its journey through time.The book starts with a detailed description of the mural's subject matter and the inspiration behind it. Shahn explains how he chose to depict the history of the town of Roosevelt, New Jersey, and its people, including farmers, factory workers, and African Americans. He also discusses the technical aspects of creating the mural, including the materials he used and the techniques he employed.As the book progresses, Shahn describes the controversy that surrounded the mural's unveiling. Some people were offended by the inclusion of African Americans in the painting, and there were calls to have it removed. Shahn discusses his own feelings about the controversy and how he responded to it.The final part of the book deals with the mural's eventual destruction. The post office where it was displayed was closed, and the building was eventually demolished. Shahn describes his disappointment at the loss of the painting and reflects on its significance as a work of art and a historical document.Overall, The Biography Of A Painting is a fascinating look at the life of a work of art and the social and political context in which it was created. Shahn's writing is engaging and insightful, and his passion for his subject matter is evident throughout the book. This is a must-read for anyone interested in the history of art and the social issues that have shaped it.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. 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The book explores the Post-Impressionist movement in art, which emerged in the late 19th century as a reaction against Impressionism. The book focuses on the work of two of the movement's most prominent artists: Vincent van Gogh and Paul Gauguin. The book begins with an introduction to Post-Impressionism and its key characteristics, including the use of vivid colors, bold brushstrokes, and a focus on emotional expression. The author then delves into the lives and works of Van Gogh and Gauguin, examining their individual styles, techniques, and influences. The book is filled with beautiful full-color reproductions of the artists' most famous works, as well as lesser-known pieces that provide insight into their development as artists. The author also provides detailed analysis and interpretation of each painting, offering readers a deeper understanding of the artists' intentions and the context in which the works were created. Overall, Post-Impressionism: From Van Gogh To Gauguin is an essential read for art lovers and anyone interested in the history of art. The book is well-written, informative, and visually stunning, making it a valuable addition to any art lover's library.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. 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Why taunt and flout us, as Beckett's writing does? Why discourage us from seeing, as Mark Rothko's paintings often can? Why immobilize and daze us, as Alain Resnais's films sometimes will? Why, Leo Bersani and Ulysse Dutoit ask, would three acknowledged masters of their media make work deliberately opaque and inhospitable to an audience? This book shows us how such crippling moves may signal a profoundly original--and profoundly anti-modernist--renunciation of art's authority. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eOur culture, while paying little attention to art, puts great faith in its edifying and enlightening value. 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