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The book explores the concept of burgage tenure, a form of land tenure that was common in medieval England. Burgage tenure involved the ownership of a plot of land in a town or city, which was typically used for commercial or residential purposes.Hemmeon's book provides a detailed analysis of the origins and development of burgage tenure, as well as its legal and economic implications. The author examines the various types of burgage tenure, such as free burgage, customary burgage, and privileged burgage, and explains how they differed in terms of rights and obligations.The book also discusses the role of burgage tenure in the growth and development of medieval towns and cities, as well as its impact on the social and economic structure of medieval England. Hemmeon draws on a wide range of primary sources, including legal records, charters, and other historical documents, to provide a comprehensive and insightful analysis of this important aspect of medieval English history.Overall, Burgage Tenure in Medieval England is a valuable resource for anyone interested in the history of land tenure, urban development, and medieval society and economy.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. 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The author takes the reader on a journey through the history of France, exploring the various churches and castles that were built during the medieval period. Larned's writing style is engaging and informative, and he provides a wealth of information about the design, construction, and significance of each building. The book is filled with beautiful illustrations and photographs that showcase the intricate details of the architecture and the stunning landscapes that surround these historic sites. Overall, \"\"Churches And Castles Of Medieval France\"\" is a must-read for anyone interested in the rich cultural history of France and the stunning architecture of the medieval period.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. 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The book covers a wide range of topics related to ironwork, including the production and use of iron in ancient civilizations, the development of iron tools and weapons, and the evolution of ironworking techniques throughout the medieval period.Gardner's book is filled with detailed illustrations and photographs that showcase the intricate designs and craftsmanship of ironwork from different time periods and regions. The book also includes a detailed analysis of the cultural and social factors that influenced the development of ironwork, including the influence of religion, politics, and economics.Ironwork, Part 1: From The Earliest Times To The End Of The Medieval Period is an essential resource for anyone interested in the history of ironwork and its impact on human civilization. The book provides a fascinating glimpse into the world of ironworking, from its earliest beginnings to its most sophisticated and intricate forms.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. 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This volume is highly recommended for those with an interest in European history and would make for a worthy addition to any collection. Contents include: \"The Precursors\", \"Bodo, A Frankish Peasant In The Time Of Charlemagne\", \"Marco Polo, A Venetian Traveller Of The Thirteenth Century\", \"Madame Eglentyne, Chaucer's Prioress In Real Life\", \"The M駭agier's Wife, A Paris Housewife In The Fourteenth Century\", \"Thomas Betson, A Merchant Of The Staple In The Fifteenth Century\", \"Thomas Paycocke Of Coggeshall, An Essex Clothier In The Days Of Henry VII\", \"Notes And Sources\", and \"Notes On Illustrations\". Many vintage books such as this are becoming increasingly rare and expensive. We are republishing this volume now in an affordable, modern, high-quality edition complete with a specially commissioned new introduction.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Eileen Power\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 1447402448\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9781447402442\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Obscure Press\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 04\/21\/2011\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 228\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 0.65lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 8.50h x 5.50w x 0.52d","brand":"Eileen Power","offers":[{"title":"Paperback","offer_id":44066257305855,"sku":"9781447402442","price":23.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/files\/img_87bfb37c-28fc-442b-80de-9cc6390d0b87.jpg?v=1685406210"},{"product_id":"the-persians-edmund-doidge-anderson-morshead-9781537078779","title":"The Persians","description":"The Persians is an ancient Greek tragedy written during the Classical period of Ancient \u0026amp; Medieval Greece by the Greek tragedian Aeschylus. It is the second and only surviving part of a now otherwise lost trilogy. In the literature \u0026amp; fiction classic The Persians, Xerxes invites the gods' enmity for his hubristic expedition against Greece. The focus of the ancient medieval drama is the defeat of Xerxes' navy at Salamis. Given Aeschylus' propensity for writing connected trilogies, many scholars believe that the theme of divine retribution may connect the three. The Persians takes place in Susa, which at the time was one of the capitals of the Persian Empire, and opens with a chorus of old men of Susa, who are soon joined by the Queen Mother, Atossa, as they await news of her son King Xerxes' expedition against the Greeks. Aeschylus was an ancient Greek tragedian. In addition to Sophocles and Euripides, Aeschylus is the first whose ancient \u0026amp; classical plays still survive. Aeschylus is often described as the father of literature \u0026amp; fiction tragedy and many critics and scholars' knowledge of Greek, ancient \u0026amp; medieval literature, and dramas \u0026amp; plays begins with his work, and understanding of earlier tragedies is largely based on inferences from Aeschylus surviving plays. 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In addition to Sophocles and Euripides, Aeschylus is the first whose ancient \u0026amp; classical plays still survive. Aeschylus is often described as the father of tragedy and many critics and scholars' knowledge of Greek, ancient \u0026amp; medieval literature, and dramas \u0026amp; plays begins with his work, and understanding of earlier tragedies is largely based on inferences from Aeschylus surviving plays. Among his surving plays is The Seven against Thebes. The Seven against Thebes is the third play in an Oedipus-themed trilogy produced by Aeschylus in 467 BC. The drama \u0026amp; play consists of rich dialogues between the citizens of Thebes and their king Eteocles regarding the threat of the hostile army before their gates. 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Aethra, the mother of the Athenian king Theseus, prays before the altar of Demeter and Persephone in Eleusis. She is surrounded by women from Argos whose sons died in battle outside the gates of Thebes. Because of Creon's decree, their corpses remain unburied. Adrastus, the king of Argos who authorized the expedition, lies weeping on the floor surrounded by the sons of the slain warriors. Aethra has sent a messenger to Theseus asking him to come to Eleusis. The old women beg Aethra for help, evoking images of their sons' unburied bodies and appealing to her sympathy as a mother. Theseus arrives. When he asks his mother what is going on, she directs him to reclaim the bodies. Adrastus explains that he supported the attack on Thebes, against the advice of the seer Amphiaraus, in deference to his sons-in-law, Tydeus and Polyneices. Theseus observes that he favored courage over discretion. 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This is the general understanding to condition a theatrical convention known as the 'stage direction'. As such, we recognise that the stage direction is directed towards actors, directors, designers, and any others who have a part to play in the practical realisation of the play. And perhaps we think that this has always been the case. However, the term 'stage direction' is not a medieval one, nor does an English medieval equivalent term exist to codify the functions contained in extraneous manuscript notes, requirements, directions or records. The medieval English stage direction does not generally function in this way: it mainly exists as an observed record of earlier performance. 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