{"title":"Music-Ethnomusicology","description":"","products":[{"product_id":"africa-in-stereo-tsitsi-ella-jaji-9780199936397","title":"Africa in Stereo: Modernism, Music, and Pan-African Solidarity","description":"\u003cem\u003eAfrica in Stereo\u003c\/em\u003e analyzes how Africans have engaged with African American music and its representations in the long twentieth century (1890-2011) to offer a new cultural history attesting to pan-Africanism's ongoing and open theoretical potential. Tsitsi Jaji argues that African American popular music appealed to continental Africans as a unit of cultural prestige, a site of pleasure, and most importantly, an expressive form already encoded with strategies of creative resistance to racial hegemony. Ghana, Senegal and South Africa are considered as three distinctive sites where longstanding pan-African political and cultural affiliations gave expression to transnational black solidarity. The book shows how such transnational ties fostered what Jaji terms \"stereomodernism.\" Attending to the specificity of various media through which music was transmitted and interpreted-poetry, novels, films, recordings, festivals, live performances and websites-stereomodernism accounts for the role of cultural practice in the emergence of solidarity, tapping music's capacity to refresh our understanding of twentieth-century black transnational ties.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Tsitsi Ella Jaji\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 0199936390\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780199936397\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Oxford University Press, USA\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 02\/07\/2014\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 288\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 0.85lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 9.10h x 6.10w x 0.90d\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReview Citation(s): \u003c\/b\u003e\u003cbr\u003e\u003ci\u003eChoice\u003c\/i\u003e 08\/01\/2014","brand":"Tsitsi Ella Jaji","offers":[{"title":"Paperback","offer_id":43913407594751,"sku":"9780199936397","price":51.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/products\/img_ae4488e4-99a0-4ab0-9412-8151097a2c91.jpg?v=1680620265"},{"product_id":"music-and-german-national-identity-celia-applegate-9780226021317","title":"Music and German National Identity","description":"Is it merely a coincidence that the three \"Bs\" of classical music--Bach, Beethoven, Brahms--are all German composers? Why do concert halls all over the world feature mostly the works of German and Austrian composers as their standard repertoire? Over the past three centuries, supporters of German music ranging from music scholars to politicians have nurtured the notion that the German-speaking world possesses a peculiar strength in the cultivation of music. \u003cp\u003e\u003c\/p\u003eThis book explores the questions of how music came to be associated with German identity, when and how Germans came to be regarded as the \"people of music,\" and how music came to be designated as \"the most German art.\" Drawing on the expertise of leading scholars in German history, musicology, and German literature, the essays assembled here examine philosophy, literature, politics, and social currents, as well as the creation and performance of folk music, art music, church music, jazz, and pop to explore the ways in which music has continued to play a central role in the German national imagination and in shaping German identity.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Celia Applegate, Pamela Potter\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 0226021319\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780226021317\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e University of Chicago Press\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 08\/01\/2002\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 329\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 1.01lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 8.94h x 6.02w x 0.74d","brand":"Celia Applegate","offers":[{"title":"Paperback","offer_id":43913416474879,"sku":"9780226021317","price":37.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/products\/img_1faa6cad-ab5d-4ba0-adf5-cdec1554d5d7.jpg?v=1680620287"},{"product_id":"music-culture-and-experience-john-blacking-9780226088303","title":"Music, Culture, and Experience: Selected Papers of John Blacking","description":"One of the most important ethnomusicologists of the century, John Blacking achieved international recognition for his book, \u003ci\u003eHow Musical Is Man?\u003c\/i\u003e Known for his interest in the relationship of music to biology, psychology, dance, and politics, Blacking was deeply committed to the idea that music-making is a fundamental and universal attribute of the human species. He attempted to document the ways in which music-making expresses the human condition, how it transcends social divisions, and how it can be used to improve the quality of human life. \u003cp\u003e\u003c\/p\u003eThis volume brings together in one convenient source eight of Blacking's most important theoretical papers along with an extensive introduction by the editor. Drawing heavily on his fieldwork among the Venda people of South Africa, these essays reveal his most important theoretical themes such as the innateness of musical ability, the properties of music as a symbolic or quasi-linguistic system, the complex relation between music and social institutions, and the relation between scientific musical analysis and cultural understanding.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e John Blacking\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 0226088308\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780226088303\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e University of Chicago Press\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 03\/15\/1995\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 277\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 0.87lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 8.96h x 6.01w x 0.67d","brand":"John Blacking","offers":[{"title":"Paperback","offer_id":43913419817215,"sku":"9780226088303","price":44.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/products\/img_0ad9c212-78af-44e7-82a4-8a91d0fbd9a7.jpg?v=1680620308"},{"product_id":"the-voice-of-egypt-1997-virginia-danielson-9780226136127","title":"The Voice of Egypt: Umm Kulthum, Arabic Song, and Egyptian Society in the Twentieth Century Volume 1997","description":"Umm Kulthum, the \"voice of Egypt,\" was the most celebrated musical performer of the century in the Arab world. More than twenty years after her death, her devoted audience, drawn from all strata of Arab society, still numbers in the millions. Thanks to her skillful and pioneering use of mass media, her songs still permeate the international airwaves. In the first English-language biography of Umm Kulthum, Virginia Danielson chronicles the life of a major musical figure and the confluence of artistry, society, and creativity that characterized her remarkable career. \u003cp\u003e\u003c\/p\u003eDanielson examines the careful construction of Umm Kulthum's phenomenal popularity and success in a society that discouraged women from public performance. From childhood, her mentors honed her exceptional abilities to accord with Arab and Muslim practice, and as her stature grew, she remained attentive to her audience and the public reception of her work. Ultimately, she created from local precendents and traditions her own unique idiom and developed original song styles from both populist and neo-classical inspirations. These were enthusiastically received, heralded as crowning examples of a new, yet authentically Arab-Egyptian, culture. Danielson shows how Umm Kulthum's music and public personality helped form popular culture and contributed to the broader artistic, societal, and political forces that surrounded her. \u003cp\u003e\u003c\/p\u003eThis richly descriptive account joins biography with social theory to explore the impact of the individual virtuoso on both music and society at large while telling the compelling story of one of the most famous musicians of all time. \u003cp\u003e\u003c\/p\u003e\"She is born again every morning in the heart of 120 million beings. In the East a day without Umm Kulthum would have no color.\"--Omar Sharif \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Virginia Danielson\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 0226136124\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780226136127\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e University of Chicago Press\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 01\/05\/1998\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 288\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 1.11lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 9.02h x 6.05w x 0.81d\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReview Citation(s): \u003c\/b\u003e\u003cbr\u003e\u003ci\u003eLibrary Journal\u003c\/i\u003e 06\/01\/1997 pg. 100","brand":"Virginia Danielson","offers":[{"title":"Paperback","offer_id":43913421947135,"sku":"9780226136127","price":25.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/products\/img_c36c4ae8-162c-4e29-b894-a03443dbbd6a.jpg?v=1680620320"},{"product_id":"dancing-prophets-steven-m-friedson-9780226265025","title":"Dancing Prophets: Musical Experience in Tumbuka Healing","description":"For the Tumbuka people of Malawi, traditional medical practices are saturated with music. In this groundbreaking ethnography, Steven M. Friedson explores a health care system populated by dancing prophets, singing patients, and drummed spirits. \u003cp\u003e\u003c\/p\u003eTumbuka healers diagnose diseases by enacting divination trances in which they \"see\" the causes of past events and their consequences for patients. Music is the structural nexus where healer, patient, and spirit meet--it is the energizing heat that fuels the trance, transforming both the bodily and social functioning of the individual. Friedson shows how the sound of the ng'oma drum, the clapping of the choir, call-and-response singing, and the jangle of tin belts and iron anklets do not simply accompany other more important ritual activities--they are the very substance of a sacred clinical reality. \u003cp\u003e\u003c\/p\u003eThis novel look at the relation between music and mental and biological health will interest medical anthropologists, Africanists, and religious scholars as well as ethnomusicologists.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Steven M. 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Tracking the fall of South African hope into the disenchantment that often characterizes the outlook of its youth today--who face high unemployment, extreme inequality, and widespread crime--Steingo looks to kwaito as a powerful tool that paradoxically engages South Africa's crucial social and political problems by, in fact, seeming to ignore them. \u003cp\u003e\u003c\/p\u003e Politicians and cultural critics have long criticized kwaito for failing to provide any meaningful contribution to a society that desperately needs direction. As Steingo shows, however, these criticisms are built on problematic assumptions about the political function of music. Interacting with kwaito artists and fans, he shows that youth aren't escaping their social condition through kwaito but rather using it to expand their sensory realities and generate new possibilities. Resisting the truism that \"music is always political,\" Steingo elucidates a music that thrives on its radically ambiguous relationship with politics, power, and the state.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Gavin Steingo\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 022636254X\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780226362540\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e University of Chicago Press\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 06\/21\/2016\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 320\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 0.90lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 9.00h x 6.00w x 0.80d","brand":"Gavin Steingo","offers":[{"title":"Paperback","offer_id":43913430434047,"sku":"9780226362540","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/products\/img_6b0afa35-93ad-4a58-a229-8c69b3eb47d3.jpg?v=1680620371"},{"product_id":"re-envisioning-past-musical-cultures-peter-jeffery-9780226395807","title":"Re-Envisioning Past Musical Cultures: Ethnomusicology in the Study of Gregorian Chant","description":"Studying Gregorian chant presents many problems to the researcher because its most important stages of development were not recorded in writing. From the sixth to the tenth century, this form of music existed only in song as medieval musicians relied on their memories and voices to pass each verse from one generation to the next. \u003cp\u003e\u003c\/p\u003ePeter Jeffery offers an innovative new approach for understanding how these melodies were created, memorized, performed, and modified. Drawing on a variety of disciplines, including anthropology and ethnomusicology, he identifies characteristics of Gregorian chant that closely resemble other oral traditions in non-Western cultures and demonstrates ways music historians can take into account the social, cultural, and anthropological contexts of chant's development.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Peter Jeffery\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 0226395804\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780226395807\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e University of Chicago Press\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 12\/01\/1995\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 222\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 0.74lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 8.93h x 6.03w x 0.59d","brand":"Peter Jeffery","offers":[{"title":"Paperback","offer_id":43913431449855,"sku":"9780226395807","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/products\/img_710bb7fd-1bd3-4968-ac57-37ba21f01258.jpg?v=1680620377"},{"product_id":"urban-blues-charles-keil-9780226429601","title":"Urban Blues","description":"Charles Keil examines the expressive role of blues bands and performers and stresses the intense interaction between performer and audience. Profiling bluesmen Bobby Bland and B. B. King, Keil argues that they are symbols for the black community, embodying important attitudes and roles--success, strong egos, and close ties to the community. While writing Urban Blues in the mid-1960s, Keil optimistically saw this cultural expression as contributing to the rising tide of raised political consciousness in Afro-America. His new Afterword examines black music in the context of capitalism and black culture in the context of worldwide trends toward diversification. \u003cp\u003e\u003c\/p\u003e \"Enlightening. . . . [Keil] has given a provocative indication of the role of the blues singer as a focal point of ghetto community expression.\"--John S. Wilson, \u003ci\u003eNew York Times Book Review \u003c\/i\u003e\"A terribly valuable book and a powerful one. . . . Keil is an original thinker and . . . has offered us a major breakthrough.\"--Studs Terkel, \u003ci\u003eChicago Tribune\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003e \"[\u003ci\u003eUrban Blues\u003c\/i\u003e] expresses authentic concern for people who are coming to realize that their past was . . . the source of meaningful cultural values.\"--\u003ci\u003eAtlantic\u003c\/i\u003e \u003cp\u003e\u003c\/p\u003e \"An achievement of the first magnitude. . . . He opens our eyes and introduces a world of amazingly complex musical happening.\"--Robert Farris Thompson, \u003ci\u003eEthnomusicology \u003c\/i\u003e \u003cp\u003e\u003c\/p\u003e \"[Keil's] vigorous, aggressive scholarship, lucid style and sparkling analysis stimulate the challenge. Valuable insights come from treating urban blues as artistic communication.\"--James A. Bonar, \u003ci\u003eBoston Herald\u003c\/i\u003e \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Charles Keil\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 0226429601\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780226429601\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e University of Chicago Press\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 03\/15\/1992\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 244\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 0.79lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 8.14h x 5.32w x 0.69d","brand":"Charles Keil","offers":[{"title":"Paperback","offer_id":43913432465663,"sku":"9780226429601","price":30.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/products\/img_396d3bf5-dc7d-4520-845f-e0b757634f7c.jpg?v=1680620383"},{"product_id":"blackface-nation-brian-roberts-9780226451640","title":"Blackface Nation: Race, Reform, and Identity in American Popular Music, 1812-1925","description":"As the United States transitioned from a rural nation to an urbanized, industrial giant between the War of 1812 and the early twentieth century, ordinary people struggled over the question of what it meant to be American. As Brian Roberts shows in \u003ci\u003eBlackface Nation\u003c\/i\u003e, this struggle is especially evident in popular culture and the interplay between two specific strains of music: middle-class folk and blackface minstrelsy. \u003cp\u003e\u003c\/p\u003e The Hutchinson Family Singers, the Northeast's most popular middle-class singing group during the mid-nineteenth century, is perhaps the best example of the first strain of music. The group's songs expressed an American identity rooted in communal values, with lyrics focusing on abolition, women's rights, and socialism. Blackface minstrelsy, on the other hand, emerged out of an audience-based coalition of Northern business elites, Southern slaveholders, and young, white, working-class men, for whom blackface expressed an identity rooted in individual self-expression, anti-intellectualism, and white superiority. Its performers embodied the love-crime version of racism, in which vast swaths of the white public adored African Americans who fit blackface stereotypes even as they used those stereotypes to rationalize white supremacy. By the early twentieth century, the blackface version of the American identity had become a part of America's consumer culture while the Hutchinsons' songs were increasingly regarded as old-fashioned. \u003ci\u003eBlackface Nation\u003c\/i\u003e elucidates the central irony in America's musical history: much of the music that has been interpreted as black, authentic, and expressive was invented, performed, and enjoyed by people who believed strongly in white superiority. 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At the micro-level, Tilley's analyses offer insight into the note-by-note decisions of improvising performers; at the macro-level, they illuminate larger musical, discursive, structural, and cultural factors shaping those decisions. This multi-tiered inquiry reveals that unpacking how performers play and imagine as a collective is crucial to understanding improvisation and demonstrates how music analysis can elucidate these complex musical and interactional relationships. \u003cp\u003e\u003c\/p\u003e Highlighting connections with diverse genres from various music cultures, Tilley's examinations of collective improvisation also suggest rich potential for cross-genre exploration. The surrounding discussions point to larger theories of communication and interaction, creativity and cognition that will be of interest to a range of readers--from ethnomusicologists and music theorists to cognitive psychologists, jazz studies scholars, and improvising performers. 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These features, combined with Rowell's glossary of Sanskrit terms and extensive bibliography, make \u003ci\u003eMusic and Musical Thought in Early India\u003c\/i\u003e an excellent introduction for the general reader and an indispensable reference for ethnomusicologists, historical musicologists, music theorists, and Indologists. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Lewis Rowell\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 0226730336\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780226730332\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e University of Chicago Press\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 12\/25\/2015\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 432\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 1.32lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 9.02h x 6.11w x 1.06d","brand":"Lewis Rowell","offers":[{"title":"Paperback","offer_id":43913443934463,"sku":"9780226730332","price":32.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/products\/img_39b8233f-66c4-4b3a-8d6b-250406481581.jpg?v=1680620436"},{"product_id":"music-race-and-nation-peter-wade-9780226868455","title":"Music, Race, and Nation: Musica Tropical in Colombia","description":"Long a favorite on dance floors in Latin America, the \u003ci\u003eporro, cumbia, \u003c\/i\u003e and \u003ci\u003evallenato\u003c\/i\u003e styles that make up Colombia's \u003ci\u003em俍ica tropical\u003c\/i\u003e are now enjoying international success. 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Drawing upon relevant ethnomusicological research on globalization and musical diversity, musical change, music revivals, and ecological models for sustainability, author Catherine Grant systematically critiques strategies that are currently employed to support endangered musics. She then constructs a comparative framework between language and music, adapting and applying the measures of language endangerment as developed by UNESCO, in order to identify ways in which language maintenance might (and might not) illuminate new pathways to keeping these musics strong. Grant's work presents the first in-depth, standardized, replicable tool for gauging the level of vitality of music genres, providing an invaluable resource for the creation and maintenance of international cultural policy. It will enable those working in the field to effectively demonstrate the degree to which outside intervention could be of tangible benefit to communities whose musical practices are under threat. 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Why does creativity seem to flourish in some environments, while others seem to stifle it? Many societies value creativity as an abstract concept and many, perhaps even most, individuals feel an internal drive to be creative; however, tremendous social pressures restrict individuals' development of creative skill sets, engagement in creative activities, and willingness to take creative risks. \u003cp\u003e\u003c\/p\u003e\u003cem\u003eBecoming Creative\u003c\/em\u003e explores how social and cultural factors enable or inhibit creativity in music. Author Juniper Hill integrates perspectives from ethnomusicology, education, sociology, psychology, and performance studies, while prioritizing the voices of practicing musicians and music educators. Insights are drawn from ethnographic research and in-depth interviews with classical, jazz, and traditional musicians in South Africa, Finland, and the US. 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Miller shows how video games and social media are bridging virtual and visceral experience, creating dispersed communities who forge meaningful connections by \"playing along\" with popular culture. \u003cem\u003ePlaying Along\u003c\/em\u003e reveals how digital media are brought to bear in the transmission of embodied knowledge: how a \u003cem\u003eGrand Theft Auto\u003c\/em\u003e player uses a virtual radio to hear with her avatar's ears; how a \u003cem\u003eGuitar Hero\u003c\/em\u003e player channels the experience of a live rock performer; and how a beginning guitar student translates a two-dimensional, pre-recorded online music lesson into three-dimensional physical practice and an intimate relationship with a distant teacher. 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