{"title":"Music-Genres \u0026 Styles-Musicals","description":"","products":[{"product_id":"a-place-for-us-julia-l-foulkes-9780226301808","title":"A Place for Us: \"West Side Story\" and New York","description":"From its Broadway debut to the Oscar-winning film to countless amateur productions, \u003ci\u003eWest Side Story\u003c\/i\u003e is nothing less than an American touchstone--an updating of Shakespeare vividly realized in a rapidly changing postwar New York. \u003cp\u003e\u003c\/p\u003e That vision of postwar New York is at the heart of Julia L. Foulkes's \u003ci\u003eA Place for Us\u003c\/i\u003e. A lifelong fan of the show, Foulkes became interested in its history when she made an unexpected discovery: scenes for the iconic film version were shot on the demolition site destined to become part of the Lincoln Center redevelopment area--a crowning jewel of postwar urban renewal. Foulkes interweaves the story of the creation of the musical and film with the remaking of the Upper West Side and the larger tale of New York's postwar aspirations. Making unprecedented use of director and choreographer Jerome Robbins's revelatory papers, she shows the crucial role played by the political commitments of Robbins and his fellow gay, Jewish collaborators, Leonard Bernstein and Arthur Laurents. Their determination to evoke life in New York as it was actually lived helped give \u003ci\u003eWest Side Story\u003c\/i\u003e its unshakable sense of place even as it put forward a vision of a new, vigorous, determinedly multicultural American city. \u003cp\u003e\u003c\/p\u003e Beautifully written and full of surprises for even the most dedicated \u003ci\u003eWest Side Story\u003c\/i\u003e fan, \u003ci\u003eA Place for Us\u003c\/i\u003e is a revelatory new exploration of an American classic. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Julia L. 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This lively book--an illustrated history of popular musical theatre--provides a compendium of fascinating details about the origins and development of the genre over a century and a half. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e Andrew Lamb moves from country to country, showing how different cultures interpreted and were influenced by different types of musical theatre. He examines, for example, the development of the European operetta style from French and Viennese works to such less-well-known schools as the Spanish zarzuela. He also traces the evolution of English-language works from the comic operas of Gilbert and Sullivan and American vaudevilles and extravaganzas to the latest Broadway and West End musicals. For each significant work he provides a brief description of the plot and references to the principal musical numbers. While his focus is on composers, librettists, and lyricists, he also gives information about principal performers, directors, and other creative influences. In a masterful way he conveys the differences between works of the same composer and works by various composers, and shows how they reflect changing cultural tastes and musical and dramatic conventions. Displaying a deep and wide-ranging expertise, this authoritative book is an invaluable resource for all lovers of the musical theatre.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Andrew Lamb, David A. 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It gives such information as the songs' authors, original performers, and dates and history of recordings. Each song is described and briefly analyzed, explaining how the song fit in the original production and what is notable about its music, lyrics, and presentation. Thoroughly indexed by song title, show, authors, and performers. Of interest to scholars, students, and fans alike. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eThe musical theatre song is conceived, written, and produced as part of a whole. While it may eventually stand on its own and join the ranks of popular hits, its immediate purpose is clear: it must work in the show. This book is about how hundreds of famous and not-so-famous songs have functioned in the American musical. 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In addition to detailing the songs' authors, original singers, and initial film appearances, the encyclopedia also explains how the songs were used in the film, lists subsequent film and stage appearances of the songs, and notes memorable recordings. From Jolson to Elvis, operetta to rock musicals, and Irving Berlin to the Beatles, the comprehensive scope of this work gathers a wealth of information about film musical songs not readily available elsewhere. \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eThe combination of accurate, thoroughly researched information, commentary, and anecdotal background will appeal to both film scholars and fans. Numerous indexes for easy reference include a list of alternate song titles, famous movie songs from other sources, best song Oscars, Oscar-winning film musicals, and a list of film musicals from 1927 through 1998. 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Compiled from dozens of archival collections, this invaluable resource and authoritative reference includes both Lerner's classic works and numerous discoveries, including his unproduced MGM movie \u003cem\u003eHuckleberry Finn\u003c\/em\u003e, selections from his college musicals, and lyrics from three different versions of \u003cem\u003ePaint Your Wagon\u003c\/em\u003e. This collection also includes extensive material from Lerner's two most ambitious musicals: \u003cem\u003eLove Life\u003c\/em\u003e, to music by Kurt Weill, and \u003cem\u003e1600 Pennsylvania Avenue\u003c\/em\u003e, which Lerner wrote with Leonard Bernstein.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Dominic McHugh\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 019064673X\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780190646738\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Oxford University Press, USA\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 03\/01\/2018\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 632\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Hardcover\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 4.30lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 11.10h x 8.90w x 1.30d\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReview Citation(s): \u003c\/b\u003e\u003cbr\u003e\u003ci\u003eChoice\u003c\/i\u003e 08\/01\/2018","brand":"Dominic McHugh","offers":[{"title":"Hardcover","offer_id":43914162143487,"sku":"9780190646738","price":65.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/products\/img_6f68457c-7783-4047-8e35-53c2016dac86.jpg?v=1680640695"},{"product_id":"rock-in-the-musical-theatre-joseph-church-9780190943479","title":"Rock in the Musical Theatre: A Guide for Singers","description":"Today's musical theatre world rocks. Now that rock 'n' roll music and its offshoots, including pop, hard rock, rap, r\u0026amp;b, funk, folk, and world-pop music, are the standard language of musical theatre, theatre singers need a source of information on these styles, their origins, and their performance practices. \u003cem\u003eRock in the Musical Theatre: A Guide for Singers \u003c\/em\u003efills this need. Today's musical theatre training programs are now including rock music in their coursework and rock songs and musicals in their repertoires. This is a text for those trainees, courses, and productions. It will also be of great value to working professionals, teachers, music directors, and coaches less familiar with rock styles, or who want to improve their rock-related skills. The author, an experienced music director, vocal coach, and university professor, and an acknowledged expert on rock music in the theatre, examines the many aspects of performing rock music in the theatre and offers practical advice through a combination of aesthetic and theoretical study, extensive discussions of musical, vocal, and acting techniques, and chronicles of coaching sessions. 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But this was the age that wanted more than melody and kickline form its musical shows. The form had been running on empty for too long, as a formula for the assembly of spare parts--star comics, generic love songs, rumba dancers, Ethel Merman. 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The Broadway show, catapulted into the limelight in the 20s and solidified during the 40s thanks to Rodgers and Hammerstein, now entered its most revolutionary phase, brashly redefining itself and forging a new kind of storytelling. In \u003cem\u003eComing Up Roses: The Broadway Musical in the 1950s\u003c\/em\u003e, Ethan Mordden gives us a guided tour of this rich decade.\u003cbr\u003e With loving detail, Mordden highlights the shift in Broadway from shows that were mere star vehicles, showcasing a big-name talent, to the bolder stories, stuffed with character and atmosphere. During this period, subject matter became more intricate, even controversial, and plots more human and complex; Mordden demonstrates how, in response, musical conventions were polished, writing became more finely crafted, and dance became truly indispensable. Along the way we meet the key players: such greats as Ethel Merman, George Abbott, Jerome Robbins, Gwen Verdon, Bob Fosse, Stephen Sondheim, Frank Loesser, Cole Porter, Leonard Bernstein, and many others. We get the backstage scoop on why \u003cem\u003eGuys and Dolls\u003c\/em\u003e is so well-made, why \u003cem\u003eWest Side Story\u003c\/em\u003e is so timeless, why \u003cem\u003eThe King and I\u003c\/em\u003e and \u003cem\u003eGypsy\u003c\/em\u003e pushed the envelope, and why no one ever talks about \u003cem\u003eAnkles Aweigh\u003c\/em\u003e. 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