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Its performers embodied the love-crime version of racism, in which vast swaths of the white public adored African Americans who fit blackface stereotypes even as they used those stereotypes to rationalize white supremacy. By the early twentieth century, the blackface version of the American identity had become a part of America's consumer culture while the Hutchinsons' songs were increasingly regarded as old-fashioned. \u003ci\u003eBlackface Nation\u003c\/i\u003e elucidates the central irony in America's musical history: much of the music that has been interpreted as black, authentic, and expressive was invented, performed, and enjoyed by people who believed strongly in white superiority. 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American music has created an array of rival mainstreams, complete with charts in multiple categories. Love it or hate it, the world that radio made has steered popular music and provided the soundtrack of American life for more than half a century. \u003cp\u003e\u003c\/p\u003e In \u003ci\u003eTop 40 Democracy\u003c\/i\u003e, Eric Weisbard studies the evolution of this multicentered pop landscape, along the way telling the stories of the Isley Brothers, Dolly Parton, A\u0026amp;M Records, and Elton John, among others. He sheds new light on the upheavals in the music industry over the past fifteen years and their implications for the audiences the industry has shaped. Weisbard focuses in particular on formats--constructed mainstreams designed to appeal to distinct populations--showing how taste became intertwined with class, race, gender, and region. 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His affinity for collaborative work and disparate musical styles has pushed his music into an astonishing array of contexts, but no matter what the style or who the collaborator, Sting's voice always remains distinct, and this fact has earned him success amongst a correspondingly broad audience. \u003ci\u003eThe Words and Music of Sting\u003c\/i\u003e subdivides Sting's life and works into rough periods of creative activity and offers a fantastic opportunity to view Sting's many stylistic changes within a coherent general framework. 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The instincts, sentiments, and feelings which it represents are indeed as immortal as romance itself, but their mode of expression, the folksong, is fighting with its back to the wall, with the odds against it in our introspective age.\" This statement by Josiah Henry Combs is that of a man who grew up among the members of a singing family in one of the last strongholds of the ballad-making tradition, the Southern Highlands of the United States. \u003c\/p\u003e\u003cp\u003e Combs was born in 1886 in Hazard, Kentucky, the heart of the mountain feud area--a significant background for one who was to take a prominent part in the \"ballad war\" of the 1900s. 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Cole Porter (1891-1964) set new standards for popular song-writing, and his lyrics and melodies are as bright and sophisticated today as when they first dazzled audiences decades ago. Porter's own life matched that of his songs for urbanity, wit, and elegance, and in New York, Hollywood, and on the Continent he was an arbiter of taste and fashion and part of the glamorous international set of the Twenties and Thirties. He numbered among his friends Cary Grant, Noel Coward, Fred Astaire, Ethel Merman, Elsa Maxwell, Fanny Brice, and Monty Woolley, as well as many other stars of stage, screen, or society. \u003ci\u003eCole Porter: A Biography\u003c\/i\u003e is a delightfully written and meticulously researched book that takes us from the composer's Indiana childhood to his celebrity days, discussing with exceptional honesty his family and friends, his wife and his many lovers, and above all, his music. 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The 2003 volume will celebrate the year's best writing about music and its culture with a selection of pieces on a dazzling array of topics drawn from more than a hundred sources-remarkable essays by journalists and authors who are as serious about writing as they are about music.Past contributors have included: * Jonathan Lethem * David Rakoff * Mike Doughty * Lorraine Ali * Greil Marcus * Richard Meltzer * Robert Gordon * Sarah Vowell * Nick Tosches * Anthony DeCurtis * William Gay * Whitney Balliett * Lester Bangs * Rosanne Cash * Susan Orlean * David Hadju * Lenny Kaye * The Onion * Mark Jacobson * Gary Giddins * John Leland * Luc Sante * Monica Kendrick * Kalefa Sanneh\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Matt Groening, Paul Bresnick\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 0306812363\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780306812361\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Da Capo Press\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 10\/09\/2003\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 312\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 0.83lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 8.48h x 5.58w x 0.82d\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReview Citation(s): \u003c\/b\u003e\u003cbr\u003e\u003ci\u003ePublishers Weekly\u003c\/i\u003e 09\/08\/2003 pg. 63\u003cbr\u003e\u003ci\u003eBooklist\u003c\/i\u003e 11\/01\/2003 pg. 468\u003cbr\u003e\u003ci\u003eKliatt\u003c\/i\u003e 01\/01\/2004 pg. 37\u003cbr\u003e\u003ci\u003eUSA Today\u003c\/i\u003e 12\/03\/2003 pg. 1","brand":"Matt Groening","offers":[{"title":"Paperback","offer_id":43913615376639,"sku":"9780306812361","price":21.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/products\/img_fe42d301-514e-4f14-a85f-f363b48eda0d.jpg?v=1680621379"},{"product_id":"the-great-jazz-and-pop-will-friedwald-9780307379078","title":"The Great Jazz and Pop Vocal Albums","description":"The author of the magisterial \u003ci\u003eA Biographical Guide to the Great Jazz and Pop Singers \u003c\/i\u003enow approaches the great singers and their greatest work in an innovative and revelatory way: through considering their finest \u003ci\u003ealbums, \u003c\/i\u003ewhich is the format in which this music was most resonantly organized and presented to its public from the 1940s until the very recent decline of the CD. It is through their albums that Ella Fitzgerald, Frank Sinatra, Peggy Lee, Sarah Vaughan, Nat King Cole, Judy Garland, and the rest of the glorious honor roll of jazz and pop singers have been most tellingly and lastingly appreciated, and the history of the album itself, as Will Friedwald sketches it, can now be seen as a crucial part of musical history. We come to understand that, at their finest, albums have not been mere collections of individual songs strung together arbitrarily but organic phenomena in their own right. A Sinatra album, a Fitzgerald album, was planned and structured to show these artists at their best, at a specific moment in their artistic careers. \u003cp\u003e\u003c\/p\u003eYet the albums Friedwald has chosen to anatomize go about their work in a variety of ways. 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Doll provides readers with a novel explanation of the assorted aural qualities of chords, and how certain harmonic effects result from the interaction of various melodic, rhythmic, textural, timbral, and extra-musical contexts, and how these interactions can determine whether a chordal riff is tonally centered or tonally ambiguous, whether it sounds aggressive or playful or sad, whether it seems to evoke an earlier song using a similar series of chords, whether it sounds conventional or unfamiliar. \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Christopher Doll\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 0472053523\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780472053520\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e University of Michigan Press\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 06\/30\/2017\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 330\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 1.10lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 8.90h x 5.90w x 0.90d\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReview Citation(s): \u003c\/b\u003e\u003cbr\u003e\u003ci\u003eChoice\u003c\/i\u003e 06\/01\/2018","brand":"Christopher Doll","offers":[{"title":"Paperback","offer_id":43919897002239,"sku":"9780472053520","price":39.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/products\/img_a545f1c7-62e4-445a-83bd-97a95b128ba9.jpg?v=1680812510"},{"product_id":"fascinating-rhythm-deena-ruth-rosenberg-9780472084692","title":"Fascinating Rhythm: The Collaboration of George and Ira Gershwin","description":"The 100th birthdays of George and Ira Gershwin (in 1898 and 1896, respectively) are being celebrated around the world. 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