{"title":"Music-Genres \u0026 Styles-Rap \u0026 Hip Hop","description":"","products":[{"product_id":"gangster-doodles-marlon-sassy-9780062856555","title":"Gangster Doodles","description":"\u003cp\u003eA collectible, four-color illustrated A-Z treasury of gangster rappers, the hip-hop high-life, and notorious pop culture history, told through a series of graphic doodles on 3\" x 3\" sticky notes.\u003cbr\u003e\u003cbr\u003eFour years ago, a Post-it(R) note changed Marlon Sassy's life. Using office supplies \"borrowed\" from his admin job, Sassy began creating colorful sketches of rappers in highlighter, Sharpie, and pen. He made his debut posting his rendition of Snoop on Tumblr under the pseudonym \"Gangster Doodles.\" Next was Bart Simpson and Biggie, then Yams and Yeezy. 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Now hip-hop is a global phenomenon and, in the United States, a massively successful corporate enterprise predominantly controlled and consumed by whites while the most prominent performers are black. How does this shift in racial dynamics affect our understanding of contemporary hip-hop, especially when the music perpetuates stereotypes of black men? Do black listeners interpret hip-hop differently from white fans? \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003eThese questions have dogged hip-hop for decades, but unlike most pundits, Michael P. Jeffries finds answers by interviewing everyday people. Instead of turning to performers or media critics, \u003ci\u003e Thug Life\u003c\/i\u003e focuses on the music's fans--young men, both black and white--and the resulting account avoids romanticism, offering an unbiased examination of how hip-hop works in people's daily lives. 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It began in 1994 when a group of youths moved their already renowned open-mic nights from the Good Life, a Crenshaw district health food store, to the KAOS Network, an arts center in Leimert Park. The local freestyle of articulate, rapid-fire, extemporaneous delivery, the juxtaposition of meaningful words and sounds, and the way that MCs followed one another without missing a beat, quickly became known throughout the LA underground. Leimert Park has long been a center of African American culture and arts in Los Angeles, and Project Blowed inspired youth throughout the city to consider the neighborhood the epicenter of their own cultural movement. \u003ci\u003eThe Real Hiphop\u003c\/i\u003e is an in-depth account of the language and culture of Project Blowed, based on the seven years Marcyliena Morgan spent observing the workshop and the KAOS Network. 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