{"title":"Music-Instruction \u0026 Study-Composition","description":"","products":[{"product_id":"the-supercollider-book-scott-wilson-9780262232692","title":"The SuperCollider Book","description":"\u003cb\u003eThe essential reference to SuperCollider, a powerful, flexible, open-source, cross-platform audio programming language.\u003c\/b\u003e\u003cp\u003eSuperCollider is one of the most important domain-specific audio programming languages, with potential applications that include real-time interaction, installations, electroacoustic pieces, generative music, and audiovisuals. \u003ci\u003eThe SuperCollider Book \u003c\/i\u003eis the essential reference to this powerful and flexible language, offering students and professionals a collection of tutorials, essays, and projects. With contributions from top academics, artists, and technologists that cover topics at levels from the introductory to the specialized, it will be a valuable sourcebook both for beginners and for advanced users. SuperCollider, first developed by James McCartney, is an accessible blend of Smalltalk, C, and further ideas from a number of programming languages. Free, open-source, cross-platform, and with a diverse and supportive developer community, it is often the first programming language sound artists and computer musicians learn. \u003ci\u003eThe SuperCollider Book\u003c\/i\u003e is the long-awaited guide to the design, syntax, and use of the SuperCollider language. The first chapters offer an introduction to the basics, including a friendly tutorial for absolute beginners, providing the reader with skills that can serve as a foundation for further learning. Later chapters cover more advanced topics and particular topics in computer music, including programming, sonification, spatialization, microsound, GUIs, machine listening, alternative tunings, and non-real-time synthesis; practical applications and philosophical insights from the composer's and artist's perspectives; and \"under the hood,\" developer's-eye views of SuperCollider's inner workings. A Web site accompanying the book offers code, links to the application itself and its source code, and a variety of third-party extras, extensions, libraries, and examples.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Scott Wilson\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 0262232693\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780262232692\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e MIT Press\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 04\/15\/2011\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 776\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Hardcover\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 2.96lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 9.07h x 8.20w x 1.45d","brand":"Scott Wilson","offers":[{"title":"Hardcover","offer_id":43913516646655,"sku":"9780262232692","price":55.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/products\/img_0f356736-f35a-4774-9bc5-8b3fc05bd1d9.jpg?v=1680620800"},{"product_id":"decomposition-andrew-durkin-9780307911759","title":"Decomposition: A Music Manifesto","description":"\u003ci\u003eDecomposition\u003c\/i\u003e is a bracing, revisionary, and provocative inquiry into music--from Beethoven to Duke Ellington, from Conlon Nancarrow to Evelyn Glennie--as a personal and cultural experience: how it is composed, how it is idiosyncratically perceived by critics and reviewers, and why we listen to it the way we do. \u003cp\u003e\u003c\/p\u003e Andrew Durkin, best known as the leader of the West Coast-based Industrial Jazz Group, is singular for his insistence on asking tough questions about the complexity of our presumptions about music and about listening, especially in the digital age. In this winning and lucid study he explodes the age-old concept of musical composition as the work of individual genius, arguing instead that in both its composition and reception music is fundamentally a collaborative enterprise that comes into being only through mediation. \u003cp\u003e\u003c\/p\u003e Drawing on a rich variety of examples--Big Jay McNeely's \"Deacon's Hop,\" Biz Markie's \"Alone Again,\" George Antheil's \u003ci\u003eBallet M canique\u003c\/i\u003e, Frank Zappa's \"While You Were Art,\" and Pauline Oliveros's \"Tuning Meditation,\" to name only a few--Durkin makes clear that our appreciation of any piece of music is always informed by neuroscientific, psychological, technological, and cultural factors. How we listen to music, he maintains, might have as much power to change it as music might have to change how we listen.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Andrew Durkin\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 0307911756\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780307911759\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Pantheon Books\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 11\/18\/2014\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 400\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Hardcover\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 1.60lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 9.40h x 6.50w x 1.50d\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReview Citation(s): \u003c\/b\u003e\u003cbr\u003e\u003ci\u003ePublishers Weekly\u003c\/i\u003e 09\/22\/2014\u003cbr\u003e\u003ci\u003eBooklist\u003c\/i\u003e 11\/15\/2014 pg. 9\u003cbr\u003e\u003ci\u003eLibrary Journal\u003c\/i\u003e 12\/01\/2014 pg. 105","brand":"Andrew Durkin","offers":[{"title":"Hardcover","offer_id":43913627631871,"sku":"9780307911759","price":28.95,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/products\/img_c8627957-4cb0-40a1-b81c-889cbeb75ff6.jpg?v=1680621450"},{"product_id":"choral-composition-robert-stephan-hines-9780313315886","title":"Choral Composition: A Handbook for Composers, Arrangers, Conductors, and Singers","description":"This comprehensive handbook details the fundamentals and forms of choral composition and expands upon the coverage and number of topics in Archibald T. Davison's 1945 classic text \u003ci\u003eChoral Composition\u003c\/i\u003e. Historical trends in choral composition are traced with a special emphasis on the profusion of changes that occurred throughout the twentieth century, particularly since 1950. Early chapters focus on characteristics of voice, notation, text, devices, part writing, \u003ci\u003ea cappella\u003c\/i\u003e and instrumental accompaniments, and choral forms. Hines goes on to analyze the utilization of soloists and choruses with instrumental chamber ensembles, orchestra, and the role of the chorus in opera, operetta, musicals, and music theater. A final chapter addresses practical concerns: music publication and how the artist can function effectively in that world.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Robert Stephan Hines\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 0313315884\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780313315886\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Greenwood\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 06\/30\/2001\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 296\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Hardcover\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 1.27lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 9.54h x 6.48w x 1.06d\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReview Citation(s): \u003c\/b\u003e\u003cbr\u003e\u003ci\u003eChoice\u003c\/i\u003e 05\/01\/2002 pg. 1595\u003cbr\u003e\u003ci\u003eReference and Research Bk News\u003c\/i\u003e 11\/01\/2001 pg. 196","brand":"Robert Stephan Hines","offers":[{"title":"Hardcover","offer_id":43913682223359,"sku":"9780313315886","price":70.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/products\/img_bcec6fdd-1e5e-4942-8756-0b369e21b46e.jpg?v=1680621701"},{"product_id":"analytical-essays-on-music-by-laurel-parsons-9780190077136","title":"Analytical Essays on Music by Women Composers: Secular \u0026 Sacred Music to 1900","description":"\u003cp\u003eThrough musical analysis of compositions written between the mid-twelfth to late nineteenth centuries, this volume celebrates the achievements of eight composers, all women: Hildegard of Bingen, Maddalena Casulana, Barbara Strozzi, ﾉlisabeth Jacquet de la Guerre, Marianne Martines, Josephine Lang, Fanny Hensel, Clara Schumann, and Amy Beach. Written by outstanding music theorists and musicologists, the essays provide fascinating in-depth critical-analytic explorations of representative compositions, often linking analytical observations with questions of meaning and sociohistorical context. Each essay is introduced by a brief biographical sketch of the composer by the editors.\u003c\/p\u003e\u003cp\u003eThe collection--Volume 1 in an unprecedented four-volume series of analytical studies on music by women composers--is designed to challenge and stimulate a wide range of readers. For academics, these thoughtful analytical essays can open new paths into unexplored research areas in the fields of music theory and musicology. Post-secondary instructors may be inspired by the insights offered in these essays to include new works in music theory and history courses at both graduate and upper-level undergraduate levels, or in courses on women and music. Finally, for soloists, ensembles, conductors, and music broadcasters, these detailed analyses can offer enriched understandings of this repertoire and suggest fresh, new programming possibilities to share with listeners.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Laurel Parsons\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 0190077131\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780190077136\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Oxford University Press, USA\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 10\/01\/2019\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 288\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 0.95lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 9.10h x 6.10w x 0.80d","brand":"Laurel Parsons","offers":[{"title":"Paperback","offer_id":43914146545919,"sku":"9780190077136","price":38.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/products\/img_e6d009e3-fb2e-46e3-ada8-7bb55f2a0473.jpg?v=1680640603"},{"product_id":"analytical-essays-on-music-by-laurel-parsons-9780190236861","title":"Analytical Essays on Music by Women Composers: Concert Music, 1960-2000","description":"Over the past 30 years, musicologists have produced a remarkable new body of research literature focusing on the lives and careers of women composers in their socio-historical contexts. But detailed analysis and discussion of the works created by these composers are still extremely rare. This is particularly true in the domain of music theory, where scholarly work continues to focus almost exclusively on male composers. Moreover, while the number of performances, broadcasts, and recordings of music by women has unquestionably grown, these works remain significantly underrepresented in comparison to music by male composers. Addressing these deficits is not simply a matter of rectifying a scholarly gender imbalance: the lack of knowledge surrounding the music of female composers means that scholars, performers, and the general public remain unfamiliar with a large body of exciting repertoire. \u003cp\u003e\u003c\/p\u003e\u003cem\u003eAnalytical Essays on Music by Women Composers: Concert Music, 1960-2000\u003c\/em\u003e is the first to appear in a groundbreaking four-volume series devoted to compositions by women across Western art music history. Each chapter opens with a brief biographical sketch of the composer before presenting an in-depth critical-analytic exploration of a single representative composition, linking analytical observations with questions of meaning and sociohistorical context. Chapters are grouped thematically by analytical approach into three sections, each of which places the analytical methods used in the essays that follow into the context of late twentieth-century ideas and trends. Featuring rich analyses and critical discussions, many by leading music theorists in the field, this collection brings to the fore repertoire from a range of important composers, thereby enabling further exploration by scholars, teachers, performers, and listeners.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Laurel Parsons\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 0190236868\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780190236861\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Oxford University Press, USA\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 04\/15\/2016\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 258\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Hardcover\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 1.10lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 9.30h x 6.20w x 0.80d","brand":"Laurel Parsons","offers":[{"title":"Hardcover","offer_id":43914150248703,"sku":"9780190236861","price":110.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/products\/img_964c9952-24a6-46b5-a0b6-f0a2bda13989.jpg?v=1680640625"},{"product_id":"improvisation-and-inventio-in-the-angela-mariani-9780190631185","title":"Improvisation and Inventio in the Performance of Medieval Music: A Practical Approach","description":"\u003cem\u003eImprovisation and \u003c\/em\u003eInventio \u003cem\u003ein the Performance of Medieval Music: A Practical Approach\u003c\/em\u003e is an innovative and groundbreaking approach to medieval music as living repertoire. The book provides philosophical frameworks, primary-source analysis, and clear, actionable practices and exercises aimed at recovering the improvisatory and inventive aspects of medieval music for contemporary musicians. Aimed at both instrumentalists and vocalists, the book explores the utilization of musical models, the inventive implications of medieval notation, and the ways in which memory, mode, rhetoric, and primary source paradigms inform the improvisatory process in both monophonic and polyphonic music of the Middle Ages. Angela Mariani, an experienced performer of both medieval music and folk and traditional musics, rediscovers and explicates the processes of imagination, invention, and improvisation which historically energized both medieval music in its own period and in its revival in our own time. 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Students, teachers, directors, and those interested in the wealth of expressive beauty found in the music of the middle ages will likewise find value and meaning in her clear and accessible prose, and in the practical processes and exercises that make this book unique within the literature of medieval performance practice.\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Angela Mariani\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 019063118X\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780190631185\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Oxford University Press, USA\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 11\/01\/2017\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 264\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Paperback\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 0.93lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 9.10h x 6.10w x 0.70d\u003cbr\u003e\u003cbr\u003e\u003cb\u003eReview Citation(s): \u003c\/b\u003e\u003cbr\u003e\u003ci\u003eChoice\u003c\/i\u003e 05\/01\/2018","brand":"Angela Mariani","offers":[{"title":"Paperback","offer_id":43914160668927,"sku":"9780190631185","price":37.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/products\/img_c148edc3-25df-4f85-a939-87779d41401e.jpg?v=1680640686"},{"product_id":"something-to-live-for-walter-van-de-leur-9780195124484","title":"Something to Live for: The Music of Billy Strayhorn","description":"Duke Ellington was one of jazz's greatest figures, a composer and bandleader of unparalleled importance and influence. 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Making extensive use, for the first time, of over 3,000 autograph scores, Van de Leur separates Strayhorn from Ellington, establishes who wrote what, and clearly distinguishes between their distinctive musical styles. \"Both Strayhorn's and Ellington's oeuvres,\" writes Van de Leur, \"though historically intertwined, nevertheless form coherent, separate musical entities, especially in terms of harmonic, melodic, and structural design.\" Indeed, \u003cem\u003eSomething to Live For\u003c\/em\u003e allows us to see the characteristic features of Strayhorn's compositions and arrangements, his \"musical fingerprints,\" and to analyze and evaluate his music on its own terms. 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