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About the Author
Katia Légeret, Ph D, is Professor of Performing Arts and Aesthetics in the Department of Theatre at University Paris 8, and director of the research laboratory EA 1573, part of the doctoral school EDESTA: Aesthetics, Sciences and Technologies of the Arts. She is particularly interested in the aesthetics of Indian dance and theatre with regard to traditional and modern aspects, this theatre's influence on European directors and how it is staged theatrically in contemporary France and Europe. Since her adolescence, and in parallel with her studies, Katia Légeret aka Manochhaya has pursued professional training in Bharata-natyam (dance/theatre of South India). Her training began in France with Amala Devi (a disciple of Ram Gopal) in the Dance Studies courses in The Sorbonne in 1979. This was followed by several years in Chennai, India, with K. Swarnnamukhi (Tamil Nadu's State Dancer). In 1985, she began to study with Venkatalakshamma in Mysore (Karnataka), and since 1986, she has performed the work of K. Muralidhar Rao (Pandanallur style) and has created an international career in the Bharata-natyam style. As a choreographer and director, Manochhaya-Katia Légeret has composed several performances as Dance-Poem (Paris, Menagerie de verre, 1998), Shiva Rodin (Paris, Musée Rodin/La Reine blanche, 2012), Helder Camara's Poetry (Recife, Bresil, 2012), Panchatantra and La Fontaine (Université Paris 8, 2014), Le Tarjuman d Ibn 'Arabi (Fez Festival, Maroc, 2012), La Conférence des oiseaux d'Attâr (Fez Festiva, Maroc, 2013), Mysore Stutis (Musée MNAAG-Guimet, Paris, 2016), La Porte de l'Enfer de Rodin, and Joyaux Moghols (Grand Palais, Paris, 2017).
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I had hopes for this book but was not expecting what I would read within the pages. If your kink is deplorable grammar, incoherent sentences, and inconsistent messages, then this book is for you. At first, I thought the book I received was not the book I ordered. But as I dived in, it was very confusing. I would not recommend this book to anyone
There are not many reviews on the internet for this book. In researching the many stores selling the book, it was self-published which makes a lot of sense. The online description is written perfectly, so reading the actual book was very difficult. Pages two and three are written clearly as well as the table of contents. Pages 155 and 156 are also written logically.
It appears this book was written, then sent through a program like “Grammarly.” Once completed it seems it was published without being re-read or edited. The first clue was the title narrative that used “Has” instead of “As.” The table of contents is one page off from what it shows on pages four though seven. Many of the “q’s” are written as “[]”
Below are some examples of what was within the pages of this book written verbatim:
“Chains & Discipline/ Domination & entry/ Sadism & Masochism (BDSM) is a wide classification of bed room play.” Page 9
“When bringing up the topic of chains, you are actually asking a person to offer you their depend on, their flexibility, and also possibly their suggestion of security in exchange for sensual/sexual enjoyment, power-play, and also feasible re-evaluation of your very own connection.” Page 39
“Techni[]ue can take a selection of kinds and also be as easy or facility as you pick to (new paragraph) bargain for your details scenario” Page 52
“BDSM stands for chains as well as entry, technique and also supremacy as well as sadism and also masochism.” Page 125
“SHELF means Risk Aware Consensual Kink.” Page 130
“Approval is whatever.” Page 152
“your twist isn’t my twist, yet your twist is OKAY.” Page 153
“You can be a top, base, or button” Page 153
Good service, good book. Just what I was looking for! Thank you!
The book is fine; however, I am not pleased with the service of your company.
Excellent book, great source for parents