{"product_id":"new-documentary-stella-bruzzi-9780415385251","title":"New Documentary","description":"\u003cp\u003ePraise for \u003cem\u003eNew Documentary\u003c\/em\u003e: \u003c\/p\u003e\u003cp\u003e'It's refreshing to find a book that cuts through the tired old debates that have surrounded documentary film and television. It heralds a welcome new approach.' \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSight and Sound\u003c\/strong\u003e\u003c\/p\u003e\u003cp\u003e'Documentary practice changes so fast that books on the subject are often out of date before they are published. Bruzzi's achievement is to have understood the genre as an activity based on performance rather than observation. This is a fresh perspective which illuminates the fundamental shifts that will continue to take place in the genre as it enters its second century.'\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eJohn Ellis, Professor of Media Arts, \u003cem\u003eRoyal Holloway, University of London\u003c\/em\u003e\u003c\/strong\u003e \u003c\/p\u003e\u003cp\u003e\u003c\/p\u003e\u003cem\u003eNew Documentary \u003c\/em\u003eprovides a contemporary look at documentary and fresh and challenging ways of theorising the non-fiction film. As engaging as the original, this second edition features thorough updates to the existing chapters, as well as a brand new chapter on contemporary cinema release documentaries.\u003cp\u003eThis new edition includes: \u003c\/p\u003e\u003cul\u003e \u003cp\u003e \u003c\/p\u003e \u003cli\u003eContemporary films such as \u003cem\u003eCapturing the Friedmans\u003c\/em\u003e, \u003cem\u003eÊtre et avoir\u003c\/em\u003e, \u003cem\u003eFarenheit 9\/11\u003c\/em\u003e, \u003cem\u003eThe Fog of War\u003c\/em\u003e and \u003cem\u003eTouching the Void\u003c\/em\u003e as well as more canonical texts such as \u003cem\u003eHoop Dreams\u003c\/em\u003e and \u003cem\u003eShoah\u003c\/em\u003e \u003c\/li\u003e \u003cp\u003e \u003c\/p\u003e \u003cli\u003e \u003cp\u003eAdditional interviews with influential practitioners, such as director Michael Apted and producer Stephen Lambert\u003c\/p\u003e \u003c\/li\u003e \u003cp\u003e \u003c\/p\u003e \u003cli\u003eA comprehensively revised discussion of modern observational documentary, including docusoaps, reality television and formatted documentaries\u003c\/li\u003e \u003cp\u003e \u003c\/p\u003e \u003cli\u003eThe work of documentary filmmakers such as Nicholas Barker, Errol Morris, Nick Broomfield, Molly Dineen and Michael Moore and the work of Avant-Garde filmmakers such as Chris Marker and Patrick Keiller\u003c\/li\u003e \u003cp\u003e \u003c\/p\u003e \u003cli\u003eGender identity, queer theory, performance, race and spectatorship.\u003c\/li\u003e \u003c\/ul\u003e\u003cp\u003eBruzzi shows how theories of documentary filmmaking can be applied to contemporary texts and genres, and discusses the relationship between recent, innovative examples of the genre and the more established canon of documentary.\u003c\/p\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAuthor:\u003c\/b\u003e Stella Bruzzi\u003cbr\u003e\u003cb\u003eISBN-10:\u003c\/b\u003e 0415385253\u003cbr\u003e\u003cb\u003eISBN-13:\u003c\/b\u003e 9780415385251\u003cbr\u003e\u003cb\u003ePublisher:\u003c\/b\u003e Routledge\u003cbr\u003e\u003cb\u003eLanguage:\u003c\/b\u003e English\u003cbr\u003e\u003cb\u003ePublished:\u003c\/b\u003e 06\/29\/2006\u003cbr\u003e\u003cb\u003ePages:\u003c\/b\u003e 224\u003cbr\u003e\u003cb\u003eFormat:\u003c\/b\u003e Hardcover\u003cbr\u003e\u003cb\u003eWeight:\u003c\/b\u003e 1.33lbs\u003cbr\u003e\u003cb\u003eSize:\u003c\/b\u003e 9.50h x 6.59w x 0.75d","brand":"Stella Bruzzi","offers":[{"title":"Hardcover","offer_id":48136081342719,"sku":"9780415385251","price":200.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0662\/2982\/9887\/files\/img_ea4f9da4-c379-44e9-8d41-7910856d5e40.jpg?v=1770160386","url":"https:\/\/www.whiterainbookhouse.com\/products\/new-documentary-stella-bruzzi-9780415385251","provider":"WR Book House","version":"1.0","type":"link"}