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Dracula has no co-author, and so Breccia's carnivalesque vision is as pure Breccia as it gets. Created during the last of a succession of Argentine military dictatorships (1982-1983), this series of short comics stories ran in Spain's Comix Internacional periodical in 1984. The moral purpose of Breccia's expressionistic art style is made explicit; he shows that every ounce of his grotesque, bloated characters' flesh and blood has been cruelly extracted from the less fortunate.
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