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All the Poisons of the World is a complex novel, both in its themes and its artistic innovations. At the heart of the novel is a writer who, in a certain way, has not found his identity. In his quest for this identity, he oscillates between the pressures of his consciousness and subconsciousness. He lives in Tirana, the capital of Albania, which, according to his alternating analytical and nearly hallucinatory states, has transformed into a space where all the poisons of the world are congealing. He wanders through this murky and toxic space, experiencing a peculiar love that is both concrete and imaginary, sometimes as pure matter and female desires, and other times as mere air, dreams, and fantasies.
The novel intricately blends a real world with an unreal one, merging modern-day characters and events with those from distant times, imbued with mythological motifs and hues. The narrative style is unique, at times transcending even magical realism, making it a surprising and captivating read.
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