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This book places anticolonial theory, semiotic analysis, and contemporary Hollywood film in a subtextual conversation. This concise yet broad-reaching work will interest scholars and students of film studies, film philosophy, anticolonialism, postcolonialism, and race and gender studies.
Patrick D. Anderson is an Associate Professor of Philosophy in the Department of Humanities at Central State University. His research focuses on the anticolonial tradition of Africana political theory, with an emphasis on archival research and anticolonial theories of social ontology.
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