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An engaging and provocative account of photography's first commercial applications in England and their global implications. This book addresses a persistent gap in the study of photography's history, moving beyond an appreciation of single breakthrough works to consider the photographic image's newfound reproducibility and capacity for circulation through newsprint and other media in the nineteenth century.
Geoffrey Batchen teaches art history at Victoria University of Wellington in New Zealand. His books include Burning with Desire: The Conception of Photography, What of Shoes? Van Gogh and Art History, and Suspending Time: Life, Photography, Death.
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Take 20% off your first order
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