Before you leave...
Take 20% off your first order
20% off
Enter the code below at checkout to get 20% off your first order
Discover summer reading lists for all ages & interests!
Find Your Next Read

How music depicted in literature shapes Dominican and Dominican New Yorkers' identities and links the homeland to the diaspora.
Music has played a large role in recent Dominican literature, whether of the island or the diaspora. Bridging Sonic Borders explores this sonic connection linking the homeland and far-flung locales--especially New York, the center of Dominican cultural production in the United States. Sharina Ma?llo-Pozo argues that literary representations of popular music delineate a shared aesthetic territory for US and Caribbean Dominicans, fostering an inclusive and transnational Dominicanidad.
Examining works written in Spanish, English, and Dominicanish, Ma?llo-Pozo focuses on Dominican/Dominicanyork writings that have nurtured a borderless aesthetics through their shared investment in hip-hop, jazz, blues, pop, rock, and merengue. For Dominican writers, popular music has become a way of exploring memory and nostalgia and a means of centering people rejected from hegemonic identity formation--the working class, those of African descent, rural and queer people. For example, many works focused on the life of rocker Luis "Terror" D?as have emphasized the in-between identity of being both Dominican and a New Yorker. Collectively, these writings have created a space in which boundaries of nation and diaspora are revealed for their fundamental porosity.
Sharina Ma?llo-Pozo is an assistant professor of Latinx studies in the Department of Romance Languages at the University of Georgia. She is the coeditor of Embodiment and Representations of Beauty.
Thanks for subscribing!
This email has been registered!
Take 20% off your first order
Enter the code below at checkout to get 20% off your first order