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"An image is powerful not necessarily because of anything specific it offers the viewer, but because of everything it apparently also takes away from the viewer."--Trinh T. Minh-ha
Vietnamese filmmaker and feminist thinker Trinh T. Minh-ha is one of the most powerful and articulate voices in independent filmmaking. In her writings and interviews, as well as in her filmscripts, Trinh explores what she describes as the "infinite relation" of word to image. Cinema-Interval brings together her recent conversations on film and art, life and theory, with Homi Bhabha, Deb Verhoeven, Annamaria Morelli and other critics. Together these interviews offer the richest presentation of this extraordinary artist's ideas.Cinema-Interval will be an essential work for readers interested in contemporary film art, feminist thought, and postcolonial studies.
Trinh T. Minh-ha, an award-winning filmmaker, is Professor of Women's Studies, Film Studies, and Rhetoric at the University of California, Berkeley. She is the author of When the Moon Waxes Red and Framer Framed, both published by Routledge.
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