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This collection explores trends and cultures relating to electrical telegraphy and recent digital communications, from the mid-nineteenth century to the present day. It interrogates the ways in which society, politics, literature and art are imbricated with changing communications technologies, and what this might mean for human connection.
Anne Chapman researches the interplay of cultural and social forms in the nineteenth and early twentieth century with interests in periodical culture, short fiction and the confluence of the visual and the verbal. She teaches at Glasgow Caledonian University London.
Natalie Hume is an independent art historian whose research interests include medium, material culture and the politics of visual representation. Her PhD, awarded by the Courtauld Institute of Art, investigated nineteenth-century transatlantic relations through the lens of commercial art.
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