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The collage form is one of the best expressive forms to be taken up and experimented with by German artists since 1912. This volume of essays examines the use of collage by German-speaking artists, making in their homeland and abroad, whose works are closely connected to the tumultuous histories of Germany.
Cole Collins is a researcher and lecturer at the Technische Universit舩 M?chen at the Chair of History and Theory of Architecture, Art and Design. He has written and researched on Kurt Schwitters, collage and gender. He is Assistant Editor for the Kurt Schwitters Society and co-convenor of the Collage Research Network. He has taught on collage, gender and queer studies in modern and contemporary art and architecture, Bauhaus, Dada, artistic manifestos, as well as on performance art, installation and dance. He has held guest lectureships at Akademie der Bildenden K?ste M?chen, Leuphana University L?eburg, Passau University and California College of the Arts.
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