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Arguing that the historical present is perceived affectively before it is understood in any other way, Berlant traces affective and aesthetic responses to the dramas of adjustment that unfold amid talk of precarity, contingency, and crisis. She suggests that our stretched-out present is characterized by new modes of temporality, and she explains why trauma theory-with its focus on reactions to the exceptional event that shatters the ordinary-is not useful for understanding the ways that people adjust over time, once crisis itself has become ordinary. Cruel Optimism is a remarkable affective history of the present.
Lauren Berlant is George M. Pullman Professor of English at the University of Chicago. She is the author of The Female Complaint: The Unfinished Business of Sentimentality in American Culture and The Queen of America Goes to Washington City: Essays on Sex and Citizenship, both also published by Duke University Press, as well as The Anatomy of National Fantasy: Hawthorne, Utopia, and Everyday Life. She the editor of the books Intimacy; Compassion: The Culture and Politics of an Emotion; and (with Lisa Duggan) Our Monica, Ourselves: The Clinton Affair and National Interest.
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