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Dreamtime in Newark surveys the transition of Aljira from an artist-led studio space to a major arts institution in Newark, New Jersey, that abruptly closed in 2018 due to gentrification and financial pressure. Exploring the origins and milestones of the gallery, the book examines how Aljira became a space for the marginalized artist and curator and aligned with the trend of artists-led "alternative-art-spaces,"--contributing to the rise of diverse art markets and breakthroughs in representation throughout museum collections, exhibitions, and the broader art world. This volume offers a historical analysis of the relationship between Aljira and Newark Museum of Art, given the many collaborations on exhibitions, residencies, and shared curatorial strategies. Along with providing a wider historicity, the book amplifies the museum's role in preserving Aljira's legacy--especially as the city's arts ecosystem evolves. The book underscores the museum's role in preserving Aljira's history and legacy. Bringing together contributions from the extended community of artists, curators, critics, and art historians, the project works against the erasure of a vital part of contemporary art and cultural history. Before conversations of decolonizing the art world were commonplace, Aljira forged a free and open vision for the art world that cross-pollinated with Newark Museum of Art's egalitarian and populist roots and global collections.
The book, which accompanies an exhibition, October 15, 2026-February 28, 2027, also considers the impact of Aljira, founded in the aftermath of the 1967 Newark Rebellion, on the city of Newark and how its thirty-five-year tenure driven by social engagement and community practice helped to crystalize Newark's visual arts scene.
Artists included: Nyugen Smith, Joe Overstreet, Hew Locke, Adama Delphine Fawundu, Dauwood Bey, El Anatsui, Firelei Baez, Dahlia Elsayed, Chitra Ganesh, Robert Pruitt, Nell Painter, Dread Scott, Jaune Quick-to-See-Smith, Philemona Williamson, Jeffrey Gibson, David C. Driskell, Frank Bowling, Franco Mondini-Ruiz, Luis Cruz Azaceta, Wangechi Mutu, Nanette Carter, Faith Ringgold, Manuel Acavedo, Willie Cole, Camille Billops, and Freddie Rodriguez.
Alliyah Allen is an Independent Curator and art historian dedicated to collaborating with artists, activists, and communities to foster transformative art experiences that drive social change. As Associate Curator and Senior Program Coordinator at Express Newark, Rutgers University, Newark Allen curated the exhibition Blues People (2024). She holds an M.A. Modern Art: Critical and Curatorial Studies from Columbia University, and a B.A. in Religion and Africana Studies, Haverford College.
Tricia Laughlin Bloom is Deputy Director, Collections & Curatorial Strategies; and Senior Curator of American Art, The Newark Museum of Art. A specialist in modern and contemporary art, Bloom has initiated exhibitions, publications, and acquisitions that foster global perspectives and expand the way the museum defines American art.
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