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Unearthing the legacy of a significant figure in Croatian and Yugoslav art, whose oeuvre is "part minimal, part body art, part feminist" (Frieze)
Croatian artist Edita Schubert (1947-2001) once compared her art to dissection, a precise science revealing the hidden territories of the human body. Her practice spanned multimedia explorations of natural ecology to paintings, performance art, installations and finally self-portraits.
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