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![Forests of the [K]Night by Jesson, Richard](http://www.whiterainbookhouse.com/cdn/shop/files/img_0b82b345-6653-411b-b5f4-b65b90badcb7.jpg?v=1778059300)
More than chronological coincidence brings together Ty Cobb and Ernest Hemingway, who never met, in this play set in late autumn 1960. Cobb was dying of cancer and other ailments but still driving himself around the country, and Hemingway had been admitted to the Mayo Clinic, ostensibly for hypertension and other physical ailments but actually for what might now be diagnosed as bi-polar disorder with strong suicidal tendencies. They both died about eight months later in July of 1961. Here are some of the biographical similarities.
Both came from well educated middle class families. Cobb's father was an academic and politician; Hemingway's, a doctor.
The "action" is Hemingway's manic-depressive journey through ups (when he is distracted by various "games," one involving a shotgun) and downs (dwelling on his failures) to a temporary calm as he is led off to electroconvulsive therapy - or, to the hidden shotgun. What happens? Historically, Hemingway did undergo ECT and managed to get himself released from the Clinic, whereupon he did shoot himself. As they see him for the last time, the audience must judge if he is more up than down and if, at least for the moment, he is responsive to the love and concern of the other characters, and of his off-stage wife.
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