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Centring on the domestic space and made over the course of four years, it tells a story that is neither apologetic nor idealised.
When Goldblatt became a mother she found herself unable to make pictures. However, after her own mother died, she began to photograph again, both at home and in the city around her. 'I wanted to be honest about what I was struggling with, about the feelings of claustrophobia and rage, as much as intimacy and love. These are feelings so often hidden by mothers, so often silenced as unacceptable.'Thanks for subscribing!
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Take 20% off your first order
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