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Together with the late Jorge Luis Borges, Gabriel Garc? M疵quez, the 1982 Nobel laureate, stands at the pinnacle of Latin American literature. His work, in the words of Julio Ortega, "contains its own 'deconstructive' force--a literary power capable of reshaping natural order and rhetorical tradition in order to 'carnivalize' the Borges' library and allow us to hear the voices--and the laughter--of a culture, that of Latin America." This reshaping force invites us to read the works of Garc? M疵quez in a new way, one that bypasses the traditional, inadequate approaches through Latin American politics, history, and "magical realism."
In Gabriel Garc? M疵quez and the Powers of Fiction, noted scholars Julio Ortega, Ricardo Guti駻rez Mouat, Michael Palencia-Roth, An?al Gonz疝ez, and Gonzalo D?z-Migoyo offer English-speaking readers a new approach to Garc? M疵quez's work. Their poststructuralist readings focus on the peculiar sign-system, formal configuration, intradiscursivity, and unfolding representation in the novels One Hundred Years of Solitude, No One Writes to the Colonel, In Evil Hour, The Autumn of the Patriarch, and Chronicle of a Death Foretold and in several of the author's short stories. Also included as an appendix is a translation of Garc? M疵quez's Nobel Prize acceptance speech, "The Solitude of Latin America."
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