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Poems that retrace unconscious lines of thought and flight to write a new history of the tar sands
Goose is a collection of hand-traced visual poems made using found text and images from the 1938 and 1956 editions of Northland Trails, a book of self-illustrated short stories, poems, and essays about the Athabasca region authored by "father of the tar sands" S. C. Ells (1878-1971). Goose takes Ells's early work surveying, mining, and separating bituminous sand, along with his colonial, racist, and sexist attitudes and aesthetics, as the starting point for an inventive and biting critique of the oil-sands industry and our petromodern energy system.
At turns cheeky, sharp-witted, and grave, Goose inverts found-poetry erasure and procedural techniques to explore themes of extraction and the relationship between humans, nonhumans, and the land to enact irreverent, deconstructive literary criticism.
Melanie Dennis Unrau is a poet of mixed European ancestry living on Treaty 1 territory and the homeland of the Red River M?tis in Winnipeg. A SSHRC Banting Postdoctoral Fellow in geography and environmental studies at the University of Regina, she is the author of the literary study The Rough Poets: Reading Oil-Worker Poetry (McGill-Queen's UP, 2024) and the poetry collection Happiness Threads: The Unborn Poems (The Muses' Company, 2013). Melanie is a former editor of The Goose journal and Geez magazine. Current projects include the "Workers of the Warming World Unite!" anthology of climate-related work poetry with Fernwood Publishing.
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