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In the period 1940-1965 the female prostitute featured in at least 10 per cent of Italian-made films. This book explains why she was so prevalent in Italian cinema of this period and offers a new account of her on-screen presence. The author shows that prostitutes in Italian cinema are much more than simply 'tarts with hearts' or martyr figures.
Danielle Hipkins is Associate Professor of Italian Studies and Film at the University of Exeter. She has published widely on gender and postwar Italian culture. With colleagues at Bristol and Oxford Brookes, she is currently working on the Italian Cinema Audiences project, a collaborative study of cinema-going in Italy in the 1950s. She is co-editing the book New Takes on Fallen Women: Prostitution and Sex Work in Global Visual Media (forthcoming), as well as developing a new project about girls, postfeminism and contemporary European cinema.
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