Ivanhoe: A Romance (Paperback) (ISBN-13: 9780679642237)

Scott's literary career dates from 1802, when he published The Minstrelsy of the Scottish Border, a collection of ballads that had never before appeared in print. The book's popularity prompted him to attempt an original work based on Scottish themes, and in 1805 he brought out The Lay of the Last Minstrel, a narrative poem of love, war, and sorcery that, in his words, was 'intended to illustrate the customs and manners which anciently prevailed on the Borders of England and Scotland.' The Lay was an immediate success, and Scott secured fame with two more best-selling 'metrical romances': Marmion (1808) and The Lady of the Lake (1810). Yet in 1813 he declined the offer of Poet Laureatship. A versatile man of letters, Scott also edited The Works of John Dryden (1808) and The Works of Jonathan Swift (1814), two volumes that incorporated biography as a formal component of modern textual scholarship. He also contributed influential essays to the Edinburgh Review and helped found the Tory Quarterly Review.

As the vogue for his poetry waned, Scott turned to other literary forms. Eager to retain both his audience and large income, he hastily revised the draft of an abandoned prose romance and shaped it into the first historical novel. Waverley, Scott's tale of an Englishman who travels to the Scottish Highlands and becomes involved in the Jacobite rebellion of 1745, proved an overnight sensation when it was published anonymously in 1814. The success of Waverley was such that the author's identity soon became common knowledge. Its popularity in England prompted a humorous complaint from Jane Austen: 'Walter Scott has no business to write novels, especially good ones--It is not fair. He has fame and profit enough as a poet and should not be taking the bread out of other people's mouths. I do not mean to like Waverley if I can help it--but I fear I must.'

Over the next eighteen years Scott turned out some two dozen 'Waverley' novels. These so-called 'Scottish novels, ' which are now widely considered to be his best work, deal with significant events in that nation's transition from feudalism to modern times. Among the most enduring are Guy Mannering (1815), The Antiquary (1816), The Black Dwarf (1816), Old Mortality (1816), Rob Roy (1818), The Heart of Midlothian (1818), The Bride of Lammermoor (1819), and Redgauntlet (1824). A second series of novels, including Ivanhoe (1819) and Quentin Durward (1823), are concerned with medieval history in England and Europe. A final group, notably Kenilworth (1821) and Woodstock (1826), focus on the Tudor - Stuart era in England.

In recognition of his literary achievements, Scott was awarded a baronetcy in 1818, and the enormous profits realized from his books enabled him to maintain a lavish country estate at Abbotsford. But the financial crash of 1826 forced Scott and his publishing partner James Ballantyne heavily into debt. Refusing to declare bankruptcy Scott labored endlessly to pay off creditors, though his personal liability was roughly ú130,000. He published The Life of Napoleon Buonaparte (1827), a nine-volume work that included a full history of the French Revolution; in 1828 he began preparing a 'Magnum Opus' edition of his works. In addition he turned out four last novels: The Fair Maid of Perth (1828), Anne of Geierstein (1829), Count Robert of Paris (1832), and Castle Dangerous (1832). Sir Walter Scott died at Abbotsford on September 21, 1832, and was buried at Dryburgh Abbey.