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Investigates how the cinematic tendency of Joyce's writing developed from media predating film
In this book, Keith Williams explores Victorian culture's emergent 'cinematicity' as a key creative driver of Joyce's experimental fiction, showing how Joyce's style and themes share the cinematograph's roots in Victorian optical entertainment and science. The book reveals Joyce's references to optical toys, shadowgraphs, magic lanterns, panoramas, photographic analysis and film peepshows. Close analyses of his works show how his techniques elaborated and critiqued their effects on modernity's 'media-cultural imaginary'.
Keith Williams is Reader in English Literature at the University of Dundee, Scotland. His most recent monograph is James Joyce and Cinematicity: Before and After Film (Edinburgh University Press, 2020), which has received excellent reviews in leading journals in the field: The James Joyce Quarterly, James Joyce Broadsheet and Irish Studies Review.
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