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High-tech and post-human, Saldanha's sound and video installations alienate the viewer through a language of othering inspired by science fiction
Published on the occasion of Jonathan Uliel Saldanha's (born 1979) solo exhibition in his home city of Porto, Surface Disorder delves into the artist's labyrinthine, technologic installations, characterized by the intersection of sound, movement, voice, stage and film.
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Take 20% off your first order
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