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Chris Marker's La Jetée is 28 minutes long and almost entirely made up of black-and-white still images. Since its release in 1964, the film - which Marker described as a 'photo-novel' - has haunted generations of viewers, and its spiralling narrative of post-war time travel has inspired writers, artists and filmmakers.
But as Marker rarely gave interviews, little is known about the origins of La Jetée or the ideas behind it. In this groundbreaking study, Chris Darke draws on rare archival material, including previously unpublished correspondence and production documents, to shed new light on the making of the film. He explores how Marker's only fiction film grew out of his early work as a writer and his fascination with Alfred Hitchcock's Vertigo (1958), and traces how La Jetée's imagery can be seen to echo throughout Marker's extraordinarily diverse oeuvre.
Chris Darke is a writer and film critic whose work has appeared in Sight and Sound, Film Comment and Cahiers du cinéma. He is the author of several books, including Light Readings: Film Criticism and Screen Arts (2000), and the co-curator of the major exhibition, Chris Marker: A Grin Without a
Cat, at the Whitechapel Gallery, London, in 2014.
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