Before you leave...
Take 20% off your first order
20% off
Enter the code below at checkout to get 20% off your first order
Discover summer reading lists for all ages & interests!
Find Your Next Read
La Pocha Nostra: A Handbook for the Rebel Artist in a Post-Democratic Society marks a transformation from its sister book, Exercises for Rebel Artists, into a pedagogical matrix suited for use as a performance handbook and conceptual tool for artists, activists, theorists, pedagogues, and trans-disciplinary border crossers of all stripes.
Featuring a newly reworked outline of La Pocha Nostra's overall pedagogy, and how it has evolved in the time of Trump, cartel violence, and the politics of social media, this new handbook presents deeper explanations of the interdisciplinary pedagogical practices developed by the group that has been labeled "the most influential Latino/a performance troupe of the past ten years."
Co-written by Guillermo Gez-Pe in collaboration with La Pocha Nostra's artistic co-director Sa伃 Garc僘-Lez and edited by Paloma Martinez-Cruz, this highly anticipated follow-up volume raises crucial questions in the new neo-nationalist era. Drawing on field experience from ten years of touring, the authors blend original methods with updated and revised exercises, providing new material for teachers, universities, radical artists, curators, producers, and students.
This book features:
The book is complemented by the new book Gez-Pe Unplugged: Texts on Live Art, Social Practice and Imaginary Activism (2008-2019).
Guillermo Gez-Pe is a performance artist, writer, activist, and educator. He is the author of 12 books including Ethno Techno (2005) and Dangerous Border Crossers (2000). His classic performance pieces include Border Brujo (1988), The Cruci-Fiction Project (1994), and Mexterminator (1997-1999). He is founder and co-director of La Pocha Nostra.
Sa伃 Garc僘-Lez, PhD, is a performance artist, performance director, pedagogue, scholar, and co-artistic director of La Pocha Nostra. His work focuses on performance pedagogy, indigeneity, gender, decolonial theory, and border theory. His performance practice focuses on social shamanic exorcisms, conceptual cannibalism, and psychomagic actions as a passage for decolonization.
Thanks for subscribing!
This email has been registered!
Take 20% off your first order
Enter the code below at checkout to get 20% off your first order