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A. Veronique Castellane (a former prima ballerina, her historic career on the stage sadly cut short);
B. Veronique's brother Richard, a polymath Catholic priest
C. Matilda Eisenberg, a leftwing professor from the University of Paris and Heidelberg in Germany with political ambitions;
D. Sister Claire, a renegade British aristocrat belonging to a social activist order of nuns.
All her benefactors dearly love Pascale and fully appreciate the girl's immense artistic ability. At the same time, each sees Pascale as a vehicle to obtain their own frustrated adult ambitions.
Question: Can the young painter achieve both her own artistic goals and answer the hopes and dreams of her many devoted supporters?
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