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First full-scale thematic analysis of Pina Bausch's Tanztheater, critically evaluating the impact of modernist theatre on her choreographic method
This book presents a new reading of Pina Bausch's dance theatre, orienting it within an international legacy of performance practice. The discussion considers not only the influence of German and American modern dance on Bausch's work but, crucially, interrogates parallels with modernist and postdramatic theatre (including Antonin Artaud, Samuel Beckett, Jerzy Grotowski, and Robert Wilson), the influence of which has been largely neglected in existing studies of her oeuvre.
Pina Bausch's Dance Theatre provides a wide-ranging study of Bausch's aesthetic and methods of practice, with case studies ranging from the beginning of her career to her final choreographies.
Key Features
Lucy Weir is Chancellor's Fellow in History of Art at Edinburgh College of Art, the University of Edinburgh. She is a specialist in modern dance and performance. Her research interests span the fields of live art, theatre and dance, and queer culture and gender studies. She received her PhD from the University of Glasgow in 2013 and has held several teaching and research fellowships. She previously taught at the University of Glasgow, Glasgow School of Art and the Royal Conservatoire of Scotland.
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Take 20% off your first order
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