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Poe and the Subversion of American Literature Satire, Fantasy, Critique (Paperback) (ISBN-13: 9781501309298)
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Robert T. Jr. Tally
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xChoice Outstanding Academic Title 2014
In Poe and the Subversion of American Literature, Robert T. Tally Jr. argues that Edgar Allan Poe is best understood, not merely as a talented artist or canny magazinist, but primarily as a practical joker who employs satire and fantasy to poke fun at an emergent nationalist discourse circulating in the United States. Poe's satirical and fantastic mode, on display even in his apparently serious short stories and literary criticism, undermines the earnest attempts to establish a distinctively national literature in the nineteenth century. In retrospect, Poe's work also subtly subverts the tenets of an institutionalized American Studies in the twentieth century. Tally interprets Poe's life and works in light of his own social milieu and in relation to the disciplinary field of American literary studies, finding Poe to be neither the po鑼e maudit of popular mythology nor the representative American writer revealed by recent scholarship. Rather, Poe is an untimely figure whose work ultimately makes a mockery of those who would seek to contain it. Drawing upon Gilles Deleuze's distinction between nomad thought and state philosophy, Tally argues that Poe's varied literary and critical writings represent an alternative to American literature. Through his satirical critique of U.S. national culture and his otherworldly projection of a postnational space of the imagination, Poe establishes a subterranean, nomadic, and altogether worldly literary practice.
Author: Robert T. Jr. Tally
ISBN-10: 1501309293
ISBN-13: 9781501309298
Publisher: Bloomsbury Publishing PLC
Language: English
Published: 10/22/2015
Pages: 168
Format: Paperback
Weight: 0.60lbs
Size: 8.90h x 5.90w x 0.60d
In Poe and the Subversion of American Literature, Robert T. Tally Jr. argues that Edgar Allan Poe is best understood, not merely as a talented artist or canny magazinist, but primarily as a practical joker who employs satire and fantasy to poke fun at an emergent nationalist discourse circulating in the United States. Poe's satirical and fantastic mode, on display even in his apparently serious short stories and literary criticism, undermines the earnest attempts to establish a distinctively national literature in the nineteenth century. In retrospect, Poe's work also subtly subverts the tenets of an institutionalized American Studies in the twentieth century. Tally interprets Poe's life and works in light of his own social milieu and in relation to the disciplinary field of American literary studies, finding Poe to be neither the po鑼e maudit of popular mythology nor the representative American writer revealed by recent scholarship. Rather, Poe is an untimely figure whose work ultimately makes a mockery of those who would seek to contain it. Drawing upon Gilles Deleuze's distinction between nomad thought and state philosophy, Tally argues that Poe's varied literary and critical writings represent an alternative to American literature. Through his satirical critique of U.S. national culture and his otherworldly projection of a postnational space of the imagination, Poe establishes a subterranean, nomadic, and altogether worldly literary practice.
Author: Robert T. Jr. Tally
ISBN-10: 1501309293
ISBN-13: 9781501309298
Publisher: Bloomsbury Publishing PLC
Language: English
Published: 10/22/2015
Pages: 168
Format: Paperback
Weight: 0.60lbs
Size: 8.90h x 5.90w x 0.60d
By Robert T. Jr. Tally
xRobert T. Tally Jr. is Associate Professor of English at Texas State University, USA, where he teaches American and world literature. Tally is the author of six books, including Kurt Vonnegut and the American Novel: A Postmodern Iconography (Bloomsbury, 2011) and Melville, Mapping and Globalization: Literary Cartography in the American Baroque Writer (2009). He is the editor of four collections of essays, including The Geocritical Legacies of Edward W. Said: Spatiality, Critical Humanism, and Comparative Literature (2015).
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