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A postcommunist condition has arisen from the fall of the Berlin Wall and later the Soviet Empire: this book looks at how this condition has manifested itself globally in the production of post-communist film. It argues post-communism is a shared experience on a geopolitical level, unlimited by national state borders, and examines postcommunist cross culturalism and global totalitarianism within film.
Lars Kristensen is a Research Assistant at the School of Journalism, Media and Communication, University of Central Lancashire, UK.
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