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Using critical and poetic practice-as-research techniques, this transdisciplinary book explores the potential of posthumanist thinking for critiquing the mechanisms of twenty-first century political economy.
The five sections of the book explore topics that put posthumanist forms of thinking, applied as academic and artistic practices, in conversation with: the politics of neoliberalism; social discrimination; ecological concerns; digital governmental control; and digital image production.Lisa Moravec is an art historian, cultural critic, and lecturer. She is a senior postdoc at the Academy of Fine Arts Vienna, leading the FWF project "The Performance of Critique: AI, Bodily Intelligence, and Posthumanist Aesthetics". Publications include Dressaged Animality: Human and Animal Actors in Contemporary Performance (2024); co-ed. ex. cat. Suddenly Begin in Splendour: Rose English (2024); peer-reviewed articles, essays, and art criticism in art magazines.
Carmen Lael Hines is a curator, writer and researcher examining the way culture is socially and digitally produced. She holds a curatorial position at The Ryder Projects (Madrid), is visiting lecturer at the CuratorLab Konstfak University of Arts, Crafts and Design Stockholm, and a PhD candidate at the Academy of Fine Arts, Vienna, Austria.Thanks for subscribing!
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