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While engaging a wide spectrum of Native American writing, Teuton focuses on three of the most canonized and, he contends, most misread novels of the era-N. Scott Momaday's House Made of Dawn (1968), James Welch's Winter in the Blood (1974), and Leslie Marmon Silko's Ceremony (1977). Through his readings, he demonstrates the utility of tribal realism as an interpretive framework to explain social transformations in Indian Country during the Red Power era and today. Such transformations, Teuton maintains, were forged through a process of political awakening that grew from Indians' rethought experience with tribal lands and oral traditions, the body and imprisonment, in literature and in life.
Sean Kicummah Teuton is Associate Professor of English and American Indian Studies at the University of Wisconsin-Madison. He is a citizen of the Cherokee Nation.
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