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Wilderson provides detailed readings of two films by Black directors, Antwone Fisher (Denzel Washington) and Bush Mama (Haile Gerima); one by an Indian director, Skins (Chris Eyre); and one by a White director, Monster's Ball (Marc Foster). These films present Red and Black people beleaguered by problems such as homelessness and the repercussions of incarceration. They portray social turmoil in terms of conflict, as problems that can be solved (at least theoretically, if not in the given narratives). Wilderson maintains that at the narrative level, they fail to recognize that the turmoil is based not in conflict, but in fundamentally irreconcilable racial antagonisms. Yet, as he explains, those antagonisms are unintentionally disclosed in the films' non-narrative strategies, in decisions regarding matters such as lighting, camera angles, and sound.
Author: Frank B. Wilderson
ISBN-10: 0822347016
ISBN-13: 9780822347019
Publisher: Duke University Press
Language: English
Published: 03/19/2010
Pages: 408
Format: Paperback
Weight: 1.10lbs
Size: 8.90h x 6.10w x 1.00d
Review Citation(s):
Choice 08/01/2010
Frank B. Wilderson III is Associate Professor of African American Studies and Drama at the University of California, Irvine. He is the author of Incognegro: A Memoir of Exile and Apartheid, winner of the Hurston/Wright Legacy Award and the American Book Award. He is also the recipient of a Literature Fellowship from the National Endowment for the Arts.
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