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An Iranian immigrant struggling to integrate into 1970s German society, the filmmaker Sohrab Shahid Saless (1944-98) has become a neglected figure in discussions of diaspora cinema. In this - the first English-language book to reflect on his work and its implications for creativity in the diasporic conditions of urban displacement - a range of international scholars provide a comprehensive account of Shahid Saless's films and production methods.
Outlining his affinity with celebrated directors like Chantal Akerman and Abbas Kiarostami, as well as visual artists like Romuald Karmakar, the contributors firmly position Shahid Saless as a filmmaker who speaks forcefully to the traumas of displacement and migration.
Azadeh Fatehrad is a Researcher at the Visual and Material Culture Research Centre, Kingston University. Fatehrad has conducted diverse projects across Europe and the Middle East, including at the International Institute of Social History (IISH), Amsterdam and AFDI Archiv f? Forschung und Dokumentation Iran Berlin eV, Berlin. She is co-founder of 'Herstoriographies: The Feminist Media Archive Research Network' in London and she is on the editorial board of the peer-reviewed Journal for Artistic Research (JAR).
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