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FINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR CRITICISM
One of the greatest musicians of all time, Johann Sebastian Bach was also a genius in the search for new sounds through technology--a pursuit as lively in his moment as it is in ours. A master of the pipe organ (the high-tech device of his era), Bach was constantly coming up with fresh and flexible approaches to keyboards, string instruments, and sacred choirs, such that his work is ceaselessly alive and adaptable three centuries later. In Reinventing Bach, the composer's life and work are the inspiration for a gripping contemporary story about the power of technology to sustain (rather than undermine) the arts. Like his classic The Life You Save May Be Your Own, Paul Elie's second book is a vivid and intricate group portrait, a work of "epic sweep, like a novel made up of multiple strands" (The Economist). It is the story both of Bach's practice of music as sacred invention, and of the amazing reinvigoration of the music by gifted artists using some of the most familiar inventions of our time: those of recording technology. We meet Albert Schweitzer making midnight recordings at the organ of aPaul Elie, for many years a senior editor with FSG, is now a senior fellow at Georgetown University's Berkley Center for Religion, Peace, and World Affairs. His first book, The Life You Save May Be Your Own, received the PEN/Martha Albrand Prize and was a National Book Critics Circle award finalist in 2003. He lives in New York City.
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