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This is the first full-length exploration of the relationship between religion, film, and ideology. It shows how religion is imagined, constructed, and interpreted in film and film criticism. The films analyzed include The Last Jedi, Terminator, Cloud Atlas, Darjeeling Limited, Hellboy, The Revenant, Religulous, and The Secret of my Success.
Each chapter offers:Tenzan Eaghll is an independent academic and author whose work has been published in Method and Theory in the Study of Religion, Religious Compass, Implicit Religion, and the Bloomsbury Critiquing Religion series. He is the creator and co-host of the podcast Fascism in Cinema.
Rebekka King is Associate Professor and Co-Director of Religious Studies at Middle Tennessee State University, USA. She has published in Critical Research on Religion, Religion and Society: Advances in Research, and the Bloomsbury Critiquing Religion series.Thanks for subscribing!
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