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Commercial theatre is thriving across Europe, while public theatre has suffered under changing patterns of cultural consumption. Resetting the Stage argues that public theatre is best served not by imitating its much larger commercial counterpart, but by asserting its artistic distinctiveness and the considerable benefit this confers on the public.
A PDF version of this book is available for free in Open Access: Resetting the Stage. It has been made available under a Creative Commons Attribution 4.0 International Public Licence and is part of Knowledge Unlatched.
Dragan Klaic (1950-2011) was visiting professor of cultural policy at the Central European University in Budapest and a permanent fellow of the Felix Meritis Foundation in Amsterdam.
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