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Re-conceptualizes cinema history through findings that work against the trends of Western dominance associated in part with Hollywood in Film Studies
Underlines and illustrates the importance of juxtaposing case studies to find commonalities and anomalies in the rural experience
Addresses how the coding and understanding of films as viewed in uneven rural spaces might challenge an understanding of the globalizing influence of cinema
Daniela Treveri Gennari is Reader in Film Studies at Oxford Brookes University, UK. She is author of Post-War Italian Cinema: American Intervention, Vatican Interests, and Principal Investigator of the AHRC-funded European Cinema Audiences: Entangled Histories, Shared Memories project.
Danielle Hipkins is Associate Professor in Italian Studies and Film at the University of Exeter, UK. She is author of Italy's Other Women: Gender and Prostitution in Postwar Italian Cinema, 1940-1965, and co-editor of Prostitution and Sex Work in Global Cinema: New Takes on Fallen Women.
Catherine O'Rawe is Reader in Modern Italian Culture at the University of Bristol, UK. She is author of Stars and Masculinities in Contemporary Italian Cinema, and co-editor of The Femme Fatale: Images, Histories, Contexts.
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