Sensing and Making Sense: Photosensitivity and Light-To-Sound Translations in Media Art by Lautenschlaeger, Graziele

Sensing and Making Sense: Photosensitivity and Light-To-Sound Translations in Media Art (Paperback) (ISBN-13: 9783837653311)

Vendor: Graziele Lautenschlaeger
Product type: Books
Format: Paperback
$50.00
$50.00
$50.00
Subtotal: $50.00
Sensing and Making Sense: Photosensitivity and Light-To-Sound Translations in Media Art by Lautenschlaeger, Graziele

Sensing and Making Sense: Photosensitivity and Light-To-Sound Translations in Media Art

$50.00
Sensing and Making Sense: Photosensitivity and Light-To-Sound Translations in Media Art by Lautenschlaeger, Graziele

Sensing and Making Sense: Photosensitivity and Light-To-Sound Translations in Media Art

$50.00
Format: Paperback
Description
Description
x
Through a genealogy of photosensitive elements in media devices and artworks, this book investigates three dichotomies that impoverish debates and proposals in media art: material/immaterial, organic/machinic, and theory/practice. It combines a historical and analytical approach, through new materialism, media archaeology, cultural techniques and second-order cybernetics. Known media stories are reframed from an alternative perspective, elucidating photosensitivity as a metonymy to provide guiding criteria to art students, artists, curators and theoreticians - especially those who are committed to critical views of scientific and technological knowledge in aesthetic experimentations.

Author: Graziele Lautenschlaeger
ISBN-10: 3837653315
ISBN-13: 9783837653311
Publisher: Transcript Publishing
Language: English
Published: 12/27/2020
Pages: 300
Format: Paperback
Weight: 0.79lbs
Size: 9.00h x 6.00w x 0.56d
By Graziele Lautenschlaeger
By Graziele Lautenschlaeger
x
Graziele Lautenschlaeger, born in 1983, is a Brazilian media artist and researcher, who conducted her PhD at the Humboldt University in Berlin. As a multi-skilled agent in the field, she acts upon the challenges of grasping the symbolic, poetic and critical dimensions of technological devices. Her artistic and academic practice has been exhibited and acknowledged in different places in Europe, South and North America.

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