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This volume discusses documentary film, theatre, and literature from the 1960s to the 2020s in Belarus, Russia, Ukraine, and the Baltic states. It presents new developments in documentary aesthetics in the region but also expands on the political, medial, and aesthetic developments that shaped Soviet attitudes towards documentary arts.
Johanna Lindbladh is Associate professor of Slavic Languages at the Centre for Languages and Literature, Lund University. Among her publications are "Transferring Ukrainian Experiences of War Across Boarders: The Case of Natalka Vorozhbyt's drama Bad Roads (2025); "Representations of the Chernobyl Catastrophe in Soviet and Post-Soviet Cinema" (2019); The Poetics of Memory in Post-Totalitarian Narration (edited, 2008).
Anja Tippner is professor of Slavic literature at Hamburg University. Her most recent publications are Narratives of Confinement, Annihilation, and Survival: Camp literature in a Comparative Perspective (edited with Anna Artw□ińska, 2019), The Afterlife of the Shoah in Central Eastern European Cultures: Concepts, Problems, and the Aesthetics of Postcatastrophic Narration (edited with Anna Artw□ińska, 2022).
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