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Lori Burns is Professor of Music at the University of Ottawa, Canada. Her book Disruptive Divas: Critical and Analytical Essays on Feminism, Identity, and Popular Music (2002) won the Pauline Alderman Award from the International Alliance for Women in Music (2005). She was a founding co-editor of the Tracking Pop Series of the University of Michigan Press and is now serving as co-editor for the Ashgate Popular and Folk Music Series.
Stan Hawkins is Professor of Musicology at the University of Oslo, Norway, and Professor in Popular Music at the University of Agder, Norway. He is author of numerous books, including Settling the Pop Score (2002), The British Pop Dandy (2009), Prince: The Making of a Pop Music Phenomenon (co-author Sarah Niblock, 2011), and Queerness in Pop (2016). He has edited volumes include Music, Space and Place (co-editors Sheila Whiteley and Andy Bennett) (2005/2017), Essays on Sound and Vision (co-editor John Richardson) (2007), Pop Music & Easy Listening (2011), Critical Musicological Reflections (2012/2016), The Routledge Research Companion to Popular Music and Gender (2017), and The Bloomsbury Handbook of Popular Music Video Analysis (co-editor Lori Burns) (2019).Thanks for subscribing!
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