The Captain Poetry Poems (Paperback) (ISBN-13: 9781897388600)

bpNICHOL (Barrie Phillip Nichol) was born September 30, 1944, in Vancouver, British Columbia. His writing is, by definition, engaged with what he called 'borderblur': in his lifetime he wrote (somewhere between) poetry, novels, short fiction, children's books, musical scores, comic book art, collage/assemblage, and computer texts. Nichol was also an inveterate collaborator, working with the sound poetry ensemble The Four Horsemen (whose members were Nichol, Rafael Barreto-Rivera, Paul Dutton, and Steve McCaffery); Steve McCaffery as part of the Toronto Research Group (TRG); the visual artist Barbara Caruso; and, countless other writers. In the mid-1980s, bpNichol became a successful writer for the children's television show Fraggle Rock, produced by Jim Henson. His early work in sound was documented in Michael Ondaatje's film Sons of Captain Poetry. A second film has been made on Nichol, bp: pushing the boundaries, directed by Brian Nash; he also appears in Ron Mann's film Poetry in Motion. bpNichol died in Toronto, Ontario on September 25, 1988.

DEREK BEAULIEU is the author of multiple books of poetry and conceptual fiction, editor of the acclaimed small presses housepress and No Press, and co-editor of Writing Surfaces: the Selected Fiction of John Riddell. He is an instructor at Mount Royal University and the Alberta College of Art + Design.

GREGORY BETTS is a poet, editor, essayist, and teacher, originally from Vancouver and Toronto. Since his first published poem, an anagrammatical translation of a short poem by bpNichol, Betts's work has consistently troubled individual authorship through such mechanisms as anagrams, collaboration, found-texts, and response-text writing. Betts currently lives in St. Catharines, where he edits PRECIPICe magazine, curates the Grey Borders Reading Series and teaches Avant-Garde and Canadian Literature at Brock University.

BILL BISSETT opened Canadian poetry to postmodernism and from there proceeded in every direction all at once. Since his invention of the blewointment press in 1963, bissett has worked diligently to explode all boundaries of author, text, and context, radically disrupting static and disciplinary modes of art making. Read, taught, studied, and imitated all around the world, he now lives in Toronto, painting and writing somewhere between painting and poetry.