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The Garifuna Music Reader is the first text to provide scholarly research of all the principal genres of music and music-related rituals of the Garifuna people of Belize and, by similarities in practice and tradition, those of Central America and the United States. This five unit, fourteen chapter anthology explores how the Garifuna interpret their identity, experiences, and existence through traditional songs and dances, contemporary popular music, world music, ancestor rituals, a Christmas processional, and a creolized version of the Catholic mass.
The reader is a compilation of new and previously published research by ethnomusicologists, historians, and anthropologists representing both Garifuna and non-Garifuna scholars. It includes website data, musical transcriptions, peer-reviewed journal articles, and chapters from books and dissertations. To aid in retention and comprehension and to meet the needs of scholars, professors, and students, questions follow each article. These questions address key content points, objectives and issues for contemplation, and encourage critical thinking and theoretical analysis.
The Garifuna Music Reader is designed to be used with the Garifuna page of the author's website, Music and Ritual in the African Diaspora, which includes audio-visual examples referenced in each chapter as well as answers to the chapter questions. Although the reader is designed for scholars and students of world music it is of value to research and courses in cultural anthropology, Caribbean studies, and African diaspora studies.
Oliver N. Greene holds a Ph.D. in musicology with an emphasis in ethnomusicology from Florida State University. He is an associate professor of music at Georgia State University where he teaches courses on world music, carnival traditions, and the history of American popular music. He has produced world music concerts, cultural festivals, and websites, and published articles in world music encyclopedias and journals. He has published chapters in Sun, Sea, and Sound: Music and Tourism in the Circum-Caribbean (2014) and The Garifuna, A Nation Across Borders: Essays in Social Anthropology (2006). As a recipient of a Rockefeller Fellowship at the Center for Black Music Research, he conducted fieldwork on the relationships between art, dance, and music among the Garifuna. He also produced the documentary film Play, Jankun Play: The Wanaragua Ritual of the Garifuna of Belize (2007).
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Read the first book and this 2nd one did not disappoint! Loved every chapter. More please!
Like it was written by George Santos
Received an Advanced Reader Copy from a friend. I am an avid true crime reader and upon completion I question if the author is credible. The timeline does not add up for his age and the times of his alleged involvement in organized crime. Some of the things in the book he is alleged to have said and done I remember almost word for word from movies I had previously watched. He literally stole a scene from the movie the accountant with Ben Affleck and said that he did it. I did a little research after completing the book and learned that this author was also claiming in 2010 that he was a long time member of the Bloods Gang. That coupled with the above leads me to believe that it is nothing more than fantasy. Do not waste your time or money
Like it was written by George Santos
Received an Advanced Reader Copy from a friend. I am an avid true crime reader and upon completion I question if the author is credible. The timeline does not add up for his age and the times of his alleged involvement in organized crime. Some of the things in the book he is alleged to have said and done I remember almost word for word from movies I had previously watched. He literally stole a scene from the movie the accountant with Ben Affleck and said that he did it. I did a little research after completing the book and learned that this author was also claiming in 2010 that he was a long time member of the Bloods Gang. That coupled with the above leads me to believe that it is nothing more than fantasy. Do not waste your time or money
What a difficult story to tell. I appreciate the honesty and vulnerability. Definitely made me think.
I had hopes for this book but was not expecting what I would read within the pages. If your kink is deplorable grammar, incoherent sentences, and inconsistent messages, then this book is for you. At first, I thought the book I received was not the book I ordered. But as I dived in, it was very confusing. I would not recommend this book to anyone
There are not many reviews on the internet for this book. In researching the many stores selling the book, it was self-published which makes a lot of sense. The online description is written perfectly, so reading the actual book was very difficult. Pages two and three are written clearly as well as the table of contents. Pages 155 and 156 are also written logically.
It appears this book was written, then sent through a program like “Grammarly.” Once completed it seems it was published without being re-read or edited. The first clue was the title narrative that used “Has” instead of “As.” The table of contents is one page off from what it shows on pages four though seven. Many of the “q’s” are written as “[]”
Below are some examples of what was within the pages of this book written verbatim:
“Chains & Discipline/ Domination & entry/ Sadism & Masochism (BDSM) is a wide classification of bed room play.” Page 9
“When bringing up the topic of chains, you are actually asking a person to offer you their depend on, their flexibility, and also possibly their suggestion of security in exchange for sensual/sexual enjoyment, power-play, and also feasible re-evaluation of your very own connection.” Page 39
“Techni[]ue can take a selection of kinds and also be as easy or facility as you pick to (new paragraph) bargain for your details scenario” Page 52
“BDSM stands for chains as well as entry, technique and also supremacy as well as sadism and also masochism.” Page 125
“SHELF means Risk Aware Consensual Kink.” Page 130
“Approval is whatever.” Page 152
“your twist isn’t my twist, yet your twist is OKAY.” Page 153
“You can be a top, base, or button” Page 153