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This collection delves into the politics of language choice when composing and performing popular music in punk, metal, hip hop and rap. It provides examples of language change, resistance, reclamation and revitalization from across the globe, giving readers insights into the work of artists, activity and function of scenes and music spaces.
Gareth R. Schott is Professor in Media and Creative Technologies at the University of Waikato. His research portfolio is broad but includes several research publications that examine the impact of punk as a cultural movement. His creative research praxis includes the composition and performance of soundtrack and soundscape music to accompany film, installation and performance art.
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Take 20% off your first order
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