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Lyric poetry's response to a crisis of relevance in Victorian Modernity
This study explores lyric poetry's response to a crisis of relevance in Victorian Modernity, offering an analysis of literature usually elided by studies of the modern formation of the genre and uncovering previously unrecognized discourses within it. Setting the focal aestheticist poetry (c. 1860 to 1914) within much broader historical, theoretical and aesthetic frames, it speaks to those interested in Victorian and modernist literature and culture, but also to a burgeoning audience of the 'new lyric studies'. The six case studies introduce fresh poetic voices as well as giving innovative analyses of canonical writers (such as D. G. Rossetti, Ezra Pound, A. C. Swinburne).
Key Features
Marion Thain is Professor of English and Dean of the Faculty of Arts and Humanities at King's College London. Her main publications include The Lyric Poem and Aestheticism; Forms of Modernity (Edinburgh University Press: 2016), The Lyric Poem: Formations and Transformations (Cambridge University Press, 2013), Michael Field, The Poet (1880-1914): Published and Manuscript Materials, ed. with Ana Vadillo (Broadview Press, 2009), Michael Field (1880-1914): Poetry, Aestheticism, and the Fin de Si鐵le (Cambridge University Press, 2007; issued in paperback in 2010) and Poetry of the 1890s, ed. with R. K. R. Thornton (Penguin, 1998).
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